The Volunteer Archivists(2022)

Beyond Paper(en)

At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.

Resurrecting Sinistar: A Cyber-Archaeology Documentary(en)

Two-years in the making, SynaMax takes viewers on a journey into the extensive cyber-archaeology research involved with restoring the source code and documenting the development history to the 1983 arcade game, Sinistar. Featuring exclusive interviews with project lead and software engineer Noah Falstein, sound engineer Mike Metz, and video game designer John Newcomer, this video offers a very comprehensive glimpse into one of the most innovative video games from the early '80s.

Recorder: The Marion Stokes Project(en)

Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.

Note al centro(it)

A Life's Work(en)

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

Nani Ma(or)

Musamoni Panigrahi (1920s–2017), fondly called “Nani Ma” by her neighbours, appears in the centre of this first film in the Baleswari dialect of India's Odia language. The story revolves around folklore and folk songs narrated by Nani Ma. Born in the 1920s in pre-independent rural India in a coastal village in the Balasore district of Odisha, she never got to go beyond the first few days of school. The film is an alternate history of a society broken through colonization, Brahminical patriarchy and a post-famine (Orissa famine of 1866, killing nearly 5 million people, one-third of the population), and the dominance of formal writing over spoken tongues. Three academics -- Damayanti Beshra, PhD (recipient of India’s fourth civilian award, “Padma Shri”), Panchanan Mohanty, PhD (noted linguist), and Laxmikanta Tripathy, PhD, DLitt (anthropologist and author) -- also appear in the film to provide contextual commentary on patriarchy, oral history and the sociolinguistic diversity.

The End of Memory(fr)

Each day, some 2.5 trillion bytes of data are exchanged, a deluge known as "big data." How can we classify, store, and give meaning to this mass of digital information? Will our digital society remain capable of producing a lasting memory? Learn the fate of memory storage in the future.

Victorian Britain on Film(en)

Offers audiences a unique window into a bygone era when a thrilling new invention, the motion picture camera, first captures a nation on film.

Ananta(or)

"Randi Pua Ananta" follows the journey of Ananta, a notorious troublemaker who undergoes a remarkable transformation into a selfless hero. When a devastating flood threatens his village, Ananta makes the ultimate sacrifice to save his people, proving that redemption can come in the most unexpected ways.

Keeping Company(en)

A diary.exe of her pixelf- isolation echoes through Robbie's webcam.

Byaase Sunucha(or)

A Carefree Artist confronts The Pioneer of Odia literature Byaasakabi Fakir Mohan, to lament about the current state of the Odia Language and how it has been looked down upon by the elites of the state. Will his voice be heard?

Hakim Babu(or)

A man from lower social background qualifies and gets an administration job and to match his higher social occupation, he leaves his family, friends, and fiance. But gradually he understands his mistake and returns for his people. Finally he finds his wrong decision for the mining in his village has lead to the destruction and down fall of his people and everyone lives the village and him behind alone.

Bringing Down a Mountain(en)

A rural village never wanted to be a city’s landfill or a distant blur in Reels but rather home to new imaginations. Bringing Down a Mountain dissects the intersecting themes of access, abolition and caste through the experiences of residents of a rural village and that of a hyper-urban city. The film follows the village residents’ dreams—of mobile data, digital payment and relief from menial work. What happens when the landfill is full, and dreams want to break free?

Rupture(fr)

Every winter, a group of young people from the rough neighbourhood Peterbos in Anderlecht make a trip to the Pyrenees. Rupture follows these youngsters, on the brink of adulthood.

Inferno Rosso: Joe D'Amato on the Road of Excess(it)

Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

I Don't Know(ro)

Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.

Long Distance Love(uz)

Alisher and Dildora are in love in Osh, Kyrgyzstan. Soon they are married and even sooner they have a baby on the way. At just 18, the smitten couple had considered only romance, but now Alisher finds himself struggling to provide for his young family in the harsh economic climate of Osh. The only option left for Alisher, like so many of his generation, is to leave his new bride to try to make it big in Moscow. While the earnest love between the newlyweds has a sweetness stronger than their 3,500 mile divide, their relationship is now beset by challenges more dire than distance alone.

A Tale of Old Cities(ko)

Jung-gu, the old original downtown of the city of Incheon, is the place where the first port was opened to foreign trades during the Japanese colonial period, and it is also the starting point of the construction of modern buildings, old Japanese houses(so-called enemy's house), railways, shipping, and airports. Currently, this area is also a place where the two concepts of development and reconstruction/regeneration are in sharp conflict. The film contains the story of those who pursue desirable regeneration, revolving around this neighborhood in Incheon.

Discrimination(ko)

Since 2013, Japan has implemented the free high school policy. However, only 10 Chongryon Korean high schools are excluded from this policy. The reason is that there are suspicions that the grant for free education will be misused by Chochongryon and others. Five of these schools protested about this measure and filed a claim for damages against the government in 2013. After four years of hearings, the first trial decision was made on July 19, 2017, starting with the case of Hiroshima Chongryon Korean high school.

Vettel, le pionnier(fr)