Transuniversal takes a journey through the history of the struggle for the recognition of the rights of trans people. A route that has not been, nor is it being easy for the equalization of human rights, for which ultimately we were all born. The Trans Law is the flame that keeps alive the hope of many people who suffer the lack of opportunities and the rejection of much of society. Transuniversal traces a historical, cultural, cinematographic, social and human map.
Transuniversal takes a journey through the history of the struggle for the recognition of the rights of trans people. A route that has not been, nor is it being easy for the equalization of human rights, for which ultimately we were all born. The Trans Law is the flame that keeps alive the hope of many people who suffer the lack of opportunities and the rejection of much of society. Transuniversal traces a historical, cultural, cinematographic, social and human map.
2023-03-12
2
A film that sets a magnifying glass on the representation of lesbians in fiction products that were broadcasted on Argentine television from 1992 to 2014 on over-the-air channels. Based on interviews with professionals from various disciplines and archival images, the documentary reveals a negative characterization that predominates in the representations. The characters lack social depth and are distant from reality. The small screen presents us with lives marked by a dramatic coming out of the closet or, even worse, their permanence in it. The voices of Albertina Carri, Ernesto Meccia, Analia Couceiro and Vir Cano reflect on fictions from their backgrounds and their own life stories.
A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene
Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.
On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.
The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.
Two young men meet during a summer day at the seaside.
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
A small, elite fraternity of high-altitude skiers climb the highest peaks in the world in pure Alpine style, carrying their skis and declining to use supplemental oxygen. At the top of the world, high in the Death Zone, they lock into their skis and challenge the most dangerous slopes in the world—under weather conditions that are as perilous as the thin air, hidden crevasses and 10,000 ft. sheer faces that drop into Nepal and Tibet far below.
An investigation into the reports of houses in Hollywood that are supposedly haunted by the ghosts of dead movie stars.
Documentary about the great Brazilian photographers who helped develop Brazilian cinema and their opinions on their work, making movies in Brazil and in general, and other subjects. As a bonus, they all agreed to shoot the same scene following their individual concepts, and the result is shown for comparison.
The meteoric ascension of the Big East conference, and how in less than a decade, it became the most successful college basketball league in America.
A raw and candid dialogue about the life and craft of acting between longtime colleagues and friends Dabney Coleman, Peter Falk, Charles Grodin, Mark Rydell, Harry Dean Stanton and Sydney Pollack. Drago Sumonja's document takes us into the hearts, minds, and living rooms of some of America's greatest storytellers.
Lemonade and Ducktape Stuffs is a film about quitting. Giving up on the everyday routine and having fun. It was time to say farewell to appeasing the masses and check out. It's not easy. Actually it's really hard. Thats what makes it right. This how we want to be remembered.
The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania's most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi's most famous characters. Also through Bahoi's own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.
Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression… THE PROLETARIAT …engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".