Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
1995-01-01
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Short featuring musician Eubie Blake and his orchestra, singer Nina Mae McKinney, and young tap dancers Fayard and Harold Nicholas.
A prototype of modern music videos, this is an animated film set to the music of two popular tunes recorded by Herb Alpert and his Latin-flavored brass ensemble - "Spanish Flea" and "Tijuana Taxi". Preserved by the Academy Film Archive in 2003.
A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
Animusic uses proprietary software to algorithmically synchronize animation to the MIDI score through a unique hybrid of data-driven animation algorithms and traditional keyframe animation techniques. The video was originally created for VRex under the name Concerto in 3D.
Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.
As revenge for being humiliated at a masquerade ball Dr. Falke plays a trick on Gabriel von Eisenstein.
In this short film, released theatrically with Disney’s Tom & Huck and starring The Lion King’s Timon and Pumbaa, Timon absentmindedly sings the classic song 'Stand By Me' while Pumbaa gets hurt in a series of slapstick ways
Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare.
A CinemaScope musical short featuring orchestra conductor Eric Winstone that accompanied Hammer's "The Quatermass Xperiment" on its original cinema release.
Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".
Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.
This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.
Staged by the Salzburger Marionettentheater. Wagner's great epic condensed into two hours — compact, humorous and very exciting! Marionettes encounter actors and take us into a time tunnel of mythological entanglements.
Shannon Davidson and Ashley Shaw at the iconic Royal Opera House in Covent Garden, delving into their thoughts and feelings about the timeless classic "The Red Shoes" to celebrate its 75th anniversary.
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
A Scottish lighthouse goes dark. A visiting supply ship finds the building in order. But the keepers have vanished without trace.
Following his work with Christopher Nolan on the IMAX release of Tenet and his featured song “The Plan,” Travis Scott and IMAX have teamed up to deliver fans a new way to experience his music. Optimized for IMAX theatres, fans will experience “Franchise” with powerful precision sound and the highest quality crystal-clear imagery on the biggest screens. Only IMAX’s unique theatre geometry will immerse audiences into Travis Scott’s vision with an audio-visual experience unlike any other. Witness “Franchise” first, only in IMAX.