
Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".

Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
1995-01-01
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0.0Night vs. light, music vs. motion, figuration vs. abstraction. Experimental video artist Max Hattler utilises distorted urban imagery and neon glare to create this entrancing short
8.5In the Summer of 2009, the British director Nigel Lowery and the Iranian choreographer Amir Hosseinpour brought to the stage of the Berlin State Opera Unter den Linden, with colour and full of humour, the fantastic and imaginative adventures of "Racing Roland". On the occasion of the 200th anniversary of the death of Joseph Haydn, the composer's most renowned opera during his lifetime,Orlando Paladino, was performed, a heroic-comical stage piece based on Ariost's famous Versepos. Singers such as Marlis Petersen (Angelica), Tom Randle (Orlando), Alexandrina Pendatchanska (Alcina), Pietro Spagnoli (Rodomonte), Sunhae Im (Eurilla) and Victor Torres (Pasquale) performed under the musical direction of period-music specialist René Jacobs. The Freiburg Baroque Orchestra completed this high-class production giving the music a beautiful sound and lively swing.
0.0The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
0.0An aspiring conductor finds himself in his dream position, conducting an orchestra that doesn't exist.
0.0The first British 3D short, this delightful 27 minute short is like spending a night at the Palladium with several variety acts. They include dancing by the Jack Billings Trio; a song by the Beverley Sisters; "Swan Lake" by Svetlana Beriosova and David Paltenghi of the Sadler's Wells Ballet; precision dancing by The Television Toppers and a comedy routine with Dora Bryan and Max Bygraves.
9.0NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.
0.0This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
7.5Mozart's genius in setting to music da Ponte's comic play of love, infidelity and forgiveness marks COSI FAN TUTTE as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful new production, with its sure touch and theatrical know-how, lives up to its promise to be "shockingly traditional" as Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.
Dorothea Roeschmann, Katharina Kammerloher, Hanno Mueller-Brachmann, Werner Guera, Daniela Bruera, and Roman Trekel star in this 2002 Deutsche Staatsoper production of the Mozart opera conducted by Daniel Barenboim.
0.0The Man is bound in an endless loop of fascination with a woman who haunts his thoughts. On the brink of a breakdown he desperately tries to break free before he is consumed.
6.0A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.
10.0This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.
8.6Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.
Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.
10.0a love letter to her friends (in the most platonic way of course).
6.0The short follows the dream of a young boy in which strange whale teleports him to a fantasy land where a happy cat named Pero (modeled after the character in the Nagagutsu wo Haita Neko anime that serves as Toei Animation's mascot) appears. The piece is entirely dialogueless.
8.0La traviata in Paris is a film-opera of Giuseppe Verdi's La traviata filmed live on television and worldwide, directed by Giuseppe Patroni Griffi, conceived and produced by Andrea Andermann in 2000. A Traviata that takes place live, with a television reporter who, amid the events of the day that took place in France on June 3, 2000, connects live to the scene of the action but at the time exactly a century earlier, in the Paris of June 3, 1900 (the setting of the opera is thus postdated from the original, which was conceived for the 1850s).