They're All Painted If You Actually Look(2023)

The Spectacle(en)

The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?

I Will Dance(en)

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Cecil Taylor: All The Notes(en)

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

And the King Said, What a Fantastic Machine(sv)

From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Making Kayfabe(en)

Facing a mid-life crisis, a journalist discovers the regular folk moonlighting as indie wrestlers, who help him transform his childhood dream into reality as "Fake Nooz Neville."

The Cosmic Hoax: An Exposé(en)

This documentary is Dr. Steven Greer’s answer to the current government and media disinformation campaign promoting 3 big lies: 1. We do not know what these UAPs/ UFOs are. WE DO. 2. Humans cannot make craft that can maneuver like UFOs. WE CAN and WE DO. 3. The UFOs are a threat. THEY ARE NOT.

Toubib(fr)

From the Atoms to the Stars(fr)

An incredible travel through space and time between the walls of the Paris Observatory, which is celebrating its 350th birthday. Place of discoveries such as speed of light or Neptune’s existence, it is still today one of the oldest operating observatories and the greatest hub in the world for astronomy and astrophysics researches, second only to Harvard.

Ashes and Snow(en)

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

KIM(hu)

The story of an exceptional painter talent, the Belgian-Hungarian Kim Corbisier who left a brilliantly powerful oeuvre behind after her tragically short and intense life. And a camera at her filmmaker friend. The mesmerising and often shocking footage of the camera bear witness to Kim's struggles with methadone addiction and, above all, her identity crisis caused by a series of unfortunate and criminal accidents in her family. After the unfinished attempts, with this film, the filmmaker is realising a project they had planned together 10 years ago.

Cartoneras(pt)

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Martin Benka(sk)

The Fallacy(fr)

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

Basquiat: Rage to Riches(en)

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

The Yes Men Fix the World(en)

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

Renoir and the Girl with a Blue Ribbon(fr)

This documentary follows three parallel stories. First, that of the masterpiece, The Little Girl with the Blue Ribbon, this melancholic Renoir work with the "musical face" described by Henri Michaux. The painting was constantly tossed around, shelved by its patrons, looted by the Nazis, found by the Monument Men, recovered by the family, sold to a controversial collector, before finally arriving at the Kunsthaus Zurich. We also discover the painter's biography, and the eventful life of his model, Irene Cahen d'Anvers. Born into the Jewish upper middle class, this free and divorced woman long disowned the painting and left it to her daughter, who was murdered at Auschwitz. Discover the tumultuous journey of this painting, its model, Irene Cahen d'Anvers, and its connection to the dark hours of the Nazi regime.

Nedam i regam(ca)

The Font Bover family goes to fetch water (they swim) and then water some trees. Available on YouTube.

Rothko: Pictures Must Be Miraculous(en)

Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.

Air Force Elite: Thunderbirds(en)

The elite pilots of the Air Force Thunderbirds display exceptional skill, trust and courage during a high-stakes training season.