
A documentary about a life dedicated to jazz, as told by Velibor Pedevski, who has been living among a dynamic New York crowd for over a quarter of a century. Pedevski brings a unique perspective on the historical events surrounding the creative phenomenon of jazz. One of the most prestigious and important of all American cultural exports, jazz has conquered the world
Himself

A documentary about a life dedicated to jazz, as told by Velibor Pedevski, who has been living among a dynamic New York crowd for over a quarter of a century. Pedevski brings a unique perspective on the historical events surrounding the creative phenomenon of jazz. One of the most prestigious and important of all American cultural exports, jazz has conquered the world
2019-09-15
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6.1A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
On November 30, 2017 the National Park Service and National Park Foundation will present the annual National Christmas Tree Lighting. Popular entertainers and a United States military band add to the celebratory evening.
0.0Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
5.0A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
6.9Going To California is a concert performance video by the British pop group Tears For Fears. Released in 1990, it is a recording of the band's show at the Santa Barbara County Bowl in May 1990 during their "Seeds Of Love" World Tour.
0.0In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)
8.0Melody Gardot performs her new album Sunset in the Blue, from the Radio France studios accompanied by a trio of musicians and 40 instrumentalists from the in-house orchestra.
8.5Claudia Winkleman meets Michael Buble in this entertainment spectacular. Michael performs classic tracks including Cry Me a River and Feeling Good alongside songs from his brand new album, including Nobody but Me. Michael also goes undercover as a sales assistant at a London department store to surprise a few unsuspecting fans.
6.5An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
0.0LIVE IN EUROPE 1969 lives up to the Miles Davis Bootleg Series mission of presenting live performances that are previously unreleased, have previously only been bootlegged, or are very rare. This new set is the first collection of Miles's Third Great Quintet, the "Lost" Band of 1968-1970 with Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette at their peak (they were never recorded in the studio). The album captures the short-lived quintet in three separate concert settings, starting with two full-length (one hour-plus) sets at the Antibes Jazz Festival in France, in Stockholm as part of "The Newport Jazz Festival In Europe," and completed with a stunning 46-minute performance at the Berlin Philharmonie, filmed in color. Recorded 11/7/69 at Berliner Jazztage in the Berlin Philharmonie 1. Introduction by John O Brien-Docker 2. Directions 3. Bitches Brew 4. It s About That Time 5. I Fall In Love Too Easily 6. Sanctuary 7. The Theme
6.8In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
0.0A young student filmmaker in an attempt to shoot a documentary gets lost in New Orleans. Out of fear of making a mistake, he ends up making hundreds of mistakes.
7.1Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
4.6In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
7.4Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
7.1In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."