1925-01-01
0
An experimental silent film made with a team of three. Humanity is being wiped out and the last people left are friends May and Pearl. The main themes of the film are friendship that gives strength and hope, as well as current concern for the future of humans and our nature. Could we start over or was this it?
0.0A Japanese merchant attempts to drive one of his rivals mad by impersonating a man he had once murdered.
6.7This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
4.0Like Max Ophüls, Capellani set many films in the theatre – backstage, on stage, in the public eye; Here is a rags-to-riches story of a dancer and her older benefactor, a kind-hearted piano tutor.
5.5A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.
This film tells the dramatic story of the death of this famous Bible character and his trip to the witch of Endor, who forecasted his tragic end. The story is dramatic in the extreme and beautifully played.
5.0One of the first epic films made in Austria, as in some of the similar Cecil B De Mille entries, a fusion of a biblical story with a modern update.
5.2Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
6.1A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.
6.4Based on the Helen Hunt Jackson novel of 1884 about a young woman of partial Native American descent, who experiences love and loss in 1800s California.
9.0An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.
Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.
5.0Jamil, a soldier in the Bedouin defense forces during a war between Syria and Turkey, deserts his regiment but later returns to save children of a missionary’s orphanage who are at risk of being enslaved or killed by the Turks.
Eloisa is an orphan, the fiancée of Agustín, who meets her when she arrives in Madrid fleeing her stepmother's mistreatment. She happens to be the mother of an illegitimate child, but in reality the mother is his cousin Irene (with whom he lives, next to his aunt) married to Mr. Adrian. Her aunt Marcelina tries with this lie to save her daughter Irene. After numerous family entanglements, the truth becomes clear and the couple can live together and in peace.