Mexico: The Royal Tour(2011)

The Panther(en)

El Pantera is a documentary film that chronicles the rise of Mexican UFC star Yair Rodriguez as he strives to become the first ever Mexican born UFC champion.

Vivir de la madera (Kuxtal Ti' Che')(es)

In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.

L'écolo qui défie la mafia de Mexico(fr)

Carlos Sainz: The Operator(es)

Corazones de tela(es)

Matria(es)

My grandfather fought alongside Pancho Villa, became Master Mason, was an elected official who represented Oaxaca three times, and president of the national Association of Cattle Hands. In 1942, he formed the Legion of Mexican Fighters, a group of 100,000 cattle hands training to repel a possible Nazi invasion in Mexico. His story of success, however, held a secret that affected my family, and that I discovered while making this documentary.

Day of the Dead(en)

A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

A Place Called Chiapas(en)

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

Beyond the Summit: Learning to Fly(es)

In some of the most extraordinary natural landscapes in Mexico, a group of mountaineers have set out to explore a world labeled as impossible, but from a space reserved only for birds.

The Desert Wagon(es)

A couple of artists travels through the Mexico desert to present their puppet show.

La Farsa: Una Obsesión Sin Limites(es)

La Coronela (1940). Punto de partida(es)

Muxes(es)

Highlighting the unique culture of the Zapotec people of Oaxaca, Mexico, this groundbreaking documentary chronicles the lives of those who identify as muxes, a widely recognized third gender.

Oaxaca - Zwischen Rebellion und Utopie(en)

Matilde Landeta(es)

A woman, an illusion. Matilde Landeta makes come true, at her seventy six years of age, what she has waited and longed for for 40 years. In this documentary we accompany her, from day one, on her adventure.

The History in the Gaze(es)

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

David (For Now)(es)

A group of children in the Mayan town of San José Oriente spend their days riding motorcycles and playing soccer, but one of them has other plans. Shot during the Creator's Lab 2023 in Yucatán, México, under the consultancy of Apichatpong Weerasethakul.

Una Obra del Pueblo(es)

The Man Who Saw Too Much(es)

A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides’ Gaze.