Aranzazú, a memory of ruins(2012)

L'écolo qui défie la mafia de Mexico(fr)

The Trouble with Merle(en)

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

Strudel Sisters(hu)

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Muxes(es)

Highlighting the unique culture of the Zapotec people of Oaxaca, Mexico, this groundbreaking documentary chronicles the lives of those who identify as muxes, a widely recognized third gender.

Vivir de la madera (Kuxtal Ti' Che')(es)

In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.

The Panther(en)

El Pantera is a documentary film that chronicles the rise of Mexican UFC star Yair Rodriguez as he strives to become the first ever Mexican born UFC champion.

Oaxaca - Zwischen Rebellion und Utopie(en)

Villa Madjo(fr)

Nazaten(nl)

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Dear Albania(en)

Eliza Dushku takes on her homeland of Albania.

Up the Yangtze(zh)

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Parque Necrópolis(es)

La Coronela (1940). Punto de partida(es)

The Family Forest(en)

Epigenetics and psychogenealogy ​through a VERY personal experience.

Our Maternal Home(en)

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Carlos Sainz: The Operator(es)

The History in the Gaze(es)

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Just what I Am(es)

Short documentary about a transexual sex worker.

To Catch a Glimpse(en)

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.