The world becomes unpredictable when the pandemic happens. But in the face of despair, people put aside reasons and stop worrying. For these couples from Malaysia, Indonesia, and Korea, even love blossoms. They embrace each other and cling to one another desperately and fearlessly. Kuala Lumpur, Jakarta, and Seoul. Three couples in three cities in three countries: The paths of a telemarketer for a loan company and a cart rink owner are destined to cross. A pub owner and a woman with their own background stories. A virgin forklift operator who has never kissed before and a kiss-for-sale manager.
Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank, and a bitter old recluse receives an uninvited guest.
Toni, Aghi, Bubu, and Saras get the task of making essays. They create a free school for street children but they chose to earn money than learn.
Three anthological segments about sexcapades and erotic fantasies in middle-class Italy.
Four comedic episodes framed within the story of a tyrannical Zen master and his two hapless disciples.
A horror anthology film starring the U.K.'s own Tromette, Kitty Kiss, more commonly known as Nurse Meow.
Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
In "Multo", a young groom in Baguio for his honeymoon is possessed by a homicidal spirit when he discovers a cursed ring and decides to wear it. "Kulam" is set in the eerie halls of a mysterious hospital where a doctor practice voodoo and dead bodies go wandering in the night. "Aswang" is about a student who is a guest at a town fiesta in a remote province. The people's hospitable ways leave her clueless about a ritual that takes place at night.
In three tales of extreme horror, a young couple hires a mysterious nanny for their baby; a a young woman discovers that her sister has been dead and been made alive again; and a student unwittingly brings home from a beach field trip the egg of a horrible alien monster.
Three unrelated stories of horror include: a substitute teacher who preys on a small school; neighborhood children being abducted by a tree-dwelling monster; and a group of Manila residents plagued by attacks from a Manananggal.
"MALIGNO" A couple takes a vacation on a secluded island and strange forces are at work that seems to keep them on that island. When her boyfriend suddenly grows ill, Ruffa Gutierrez finds a handsome young man (Monsour del Rosario) in the woods who seems to exhibit magical powers. He offers to cure her sick friend on one condition that she stay with him forever. Will she accept any foods from that handsome man to save her loved one? "ANINO" A family of siblings moves into their new apartment but little did they know of a tragedy that occurred within its walls. A ghost of a murderer manifests itself in a form of a shadow and has now set its sight on them. They need to leave that house before they were killed.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Agent Lam (Tony Leung) sets out to track a pair of plates used to make fake American dollars. When he discovers the plates, they are conned out of him by enigmatic US Embassy workers Owen (Richie Ren) and JJ (Shu Qi). With the trail now leading to Korea, Lam sets off in hot pursuit. There, amidst the dangerous and glamorous urban landscape of Seoul, Lam finds himself confronting an underworld crime boss known as the Polar Bear, head of the biggest counterfeiting organisation in Asia.
This bittersweet film was Roman Vávra's feature debut. The film consists of three independent stories, all connected through the motif of a field of grain. In 'Awn' a young couple takes a summer stroll in the country, in 'The Haystack' a gang of boys have an adventure with an older girl, and 'The Journey' recounts the tragicomic homecoming of a pair of aging newlyweds. For only the second time in the nineties Czech star Iva Janzurová appeared on the silver screen.
Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.