[Showa Edition] Ozaki, who is in the 10th year of the university ronin, came to the boarding house introduced at the boarding house, but there is a boarding house where the widow Yuko (Kaoru Kira), who has a large amount of debt, is working alone. So ... [Heisei edition] Ozaki heads for the exam, but the perpetrator is Miyuki (Reno Aihira), who runs a boarding house, and shakes the stick for a year ... [Reiwa] Disappointed to find out that the widow's boarding house has disappeared, Ozaki finds a share house run by a woman named Alisa (Chisa Hasegawa) ...
One day, when I got home, there was a female student I didn't know. Apparently she had run away from home and didn't have a place to stay, so she broke in while the window was open. Despite being trespassing, he was impertinent, and the pudding I was looking forward to was eaten without permission. When I tried to report it, I was overwhelmed and forced to have sex. Moreover, I can not stand it and I cum inside! "Now your uncle is already a sex offender w."
Ricardo has lived life on the edge after the untimely death of his grandfather. Alcohol & drugs consume him and hopes to avenge his grandfather's death someday. Ricardo longs to be saved from his darkened days and is also pursuing a career in singing.
The criminal is hungry for revenge and bloody reprisal to the girl who sent him to jail.
A university professor, mistreated by his wife, falls in love with a student who makes fun of him and also scams him.
In the heart of Metro Manila, there is an ordinary thrift shop with a supernatural story of loneliness.
In the summer of 1918, the situation in Transcaspia was especially difficult. The Menshevik government led by Funtikov seized power. Only the fortress city of Kushka remains Soviet. The garrison went over to the Bolshevik side. Large reserves of weapons and ammunition are concentrated in the fortress, which especially attracts the Mensheviks and the British who help them. The commander of the garrison, the former tsarist general Vostrosablin, decides not to surrender the fortress. To do this, he and Commissar Morgunov are developing a defense plan. White Colonel Zykov, with the support of the Basmachi and the British, hopes to take Kushka. But the tough confrontation between the parties ends with the victory of the defenders of the fortress.
To help the starving peasants of 1918 Turkestan, the Soviet government sends a caravan with bread from Tashkent. This path is dangerous - gangs of Basmachi and White Cossacks are rampant here. The detachment commander, after a series of exhausting battles, decides to distract the gangs - and sets off on the wrong path a “false caravan” led by Commissioner Archman...
A series of interviews with young adults about their fears and frustrations.
When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.
It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.
Laura is living on a lonely coast, in a rambling rented house, where she encounters a strange, ageless man, a man with uncanny knowledge of her own life. Together they begin a journey into the wilderness of time, love and human perception.
Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.
First part of a "trilogy of modern times" (the second one is La Blessure, and third - La question humaine). Paria follows the path of two characters, Momo and Victor. Momo –remarkably played by Gérald Thomassin– lives in the streets, while Victor, on the edge of poverty, loses his apartment when he loses his job. Their destinies will come across during the night of the “millennium” which will be celebrated in a social pick-up bus.
Blandine arrives at the Charles de Gaulle Airport, seeking a reunion with her husband Papi in Paris. Despite articulate claims for asylum, she is held in a cramped cell along with a number of fellow Africans, humiliated, mistreated and told that they can expect immediate deportation. Papi enquires of her whereabouts at Arrivals, and is met with disinterested, misleading responses. When Blandine is hurt in a skirmish on the runway as the authorities try and force her out of the country, circumstances and a sympathetic employee of the Ministry of Foreign Affairs save her from expulsion. She is finally reunited with Papi in a communal squat, its inhabitants sharing harrowing stories of their time in France. With work, money and food scarce, and her confidence shaken by her less than warm welcome to the country, Blandine cannot find the enthusiasm to leave her damp mattress.
Adashi, ex-member of the Japanese Red Army, narrates a story taking place in Beirut. The melancholy of war, the pain of disillusionment. A story being written and rewritten, open to interpretation. When the time comes, return to reality can only be cruel.