Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.
Self
Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.
1983-02-05
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100 years ago is today - the past is the present - the future is now
Spy Capital is a documentary exploring Vienna's deep-rooted espionage history, establishing the city as a key hub for international spy operations over the past 150 years. Directed by espionage expert Boris Volodarsky and produced by Dennis Dewall, the film spans from Vienna's 1873 World Exhibition to espionage tied to the 2023 Russia-Ukraine conflict. Featuring interviews with prominent figures like Christo Grozev and Gert Polli, it also includes dramatic reenactments of historical events. Notorious cases such as Colonel Alfred Redl, a Russian double agent, are highlighted. The film delves into Vienna's pivotal role in intelligence during the World Wars and the Cold War. With striking visuals and advanced technology, Spy Capital: Vienna immerses viewers in a blend of history and drama, offering a thorough look into the covert world of spies that has shaped the city.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
Mel Gibson teaches Hamlet to a group of high school drama students.
Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.
Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.
Short documentary on the making of Alfred Hitchcock's Mr. & Mrs. Smith.
An in-depth look into the creative and technical processes that brought us the heart-stopping visual effects of the film, with director Stephen Sommers and the crew at Industrial Light & Magic (ILM).
Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.
Director Guy Hamilton and several of the stars of Agatha Christie's "Evil Under The Sun" walk you through the making of the film.
The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.
The actress Lola Dewaere recounts the film career and traumatic life of celebrated actor Patrick Dewaere, the father she never knew, under the watchful eye of director Alexandre Moix.
A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.