Bienvenue au grand magasin(1999)

Autopsy of a triple murder: Sakine, Fidan, Leyla, Kurdish Militants(de)

Documentary about the murder of three Kurdish women activists in Paris in 2013 and the investigations against an agent of the Turkish intelligence service MIT.

Il est minuit, Paris s'éveille(fr)

Chop Thye Bee(en)

An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.

The Smuggler and Her Charges(fr)

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

June 1940, the Great Chaos(fr)

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

Hauntology of the Retrodromomania(en)

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.

Lucie et Maintenant(fr)

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

Notre Dame de Paris: The Ordeal of the Centuries(fr)

A fictional documentary on Notre Dame de Paris, produced in 2019.

Meeting the Man: James Baldwin in Paris(en)

In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.

Croissance de Paris(fr)

Paul Nizon: Der Nagel im Kopf(de)

The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.

Mucha: The Story of an Artist Who Created a Style(cs)

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

My aunt Toty(es)

A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.

La Caissière fait son cinéma(en)

Paris, Latin Quarter. A small cinema that is both famous and marginal, Action Christine. The cashier has taken her camcorder and takes us to this public place, her workplace. Place of life, of passage, of meeting, a window open on the street, behind the hygienic phone, it is the daily life of the cashiers and the openers punctuated by the alternation of surging entrances and idle intersession.

Life After People(en)

In this special documentary that inspired a two-season television series, scientists and other experts speculate about what the Earth, animal life, and plant life might be like if, suddenly, humanity no longer existed, as well as the effect humanity's disappearance might have on the artificial aspects of civilization.

The Women and the Murderer(fr)

This documentary traces the capture of serial killer Guy Georges through the tireless work of two women: a police chief and a victim's mother.

Parisienne... Parisiennes(fr)

Portrait of Penge(en)

Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.

Paris Train Stations: Shaping the City(fr)

Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.

Ghost Dance(en)

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'