Director Taku Aoyagi, who has lost his job in his hometown of Yamanashi, goes to Tokyo without knowing right or left and starts delivering goods on his bicycle. What gradually came to light under the state of emergency was the real problem of modern Japan that was revealed by the corona wreck. The people he met in the city where the director himself ran around as a bicycle deliveryman. What does it mean to work? What does it mean to live a new life? A documentary film that "delivers" from a realistic experience and perspective is born.
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0.0TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
0.0A nine-hour program that shows a man walking backwards through Tokyo – and nothing else – it appears. Ludovic Zuili, walking backwards through the capital of Japan. The video is shown back to front so that Zuili seems to be walking normally through a world moving back in time.
7.0Antônio Tenório and the Brazilian Paralympic Team are invited to a rare training camp in Japan. Passing through the main temples of Judo, our visually impaired athletes face the many challenges of training in an unknown country. The encounter with their Japanese hosts generates strangeness and difficulties, but also discoveries and joys. Step by step, these situations strengthen our athletes, who find themselves increasingly united. Led by the charisma and sensitivity of champion Tenório, a new generation of judo is revealed and inspired.
0.0A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
7.0When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.
5.8Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.
0.0The Closing Ceremony of the Games of the XXXII Olympiad in the New National Stadium in Tokyo
7.5In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.
20 minute music documentary shot in two days of November 1984 in, and around the outskirts of, Tokyo, Japan. A large part of the music was completed during that same month and recorded over a period of three days.
8.0Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.
7.8There's no definitive separation as long as there is memory'. Since the Tsunami hit the northern part of Japan's coast in 2011, more than 20 thousand people lost their lives, and many others are still missing. As time went by the families of the victims abandoned all hope and stopped looking for their loved ones. However, this is the story of two men that are still fully committed to their respective searching activities. Even though their backgrounds are extremely different, both share a strong force of will and firmly wish to keep alive the memories of the ones that went missing. Perseverance is what pushed an ex-convict to look for redemption by helping the victims' families to find the remains of their loved ones, and perseverance is what brought a bus driver to start to dive in order to search for his wife.
3.5Tokyo work culture's most compelling and complex protagonist; the Salaryman. A nameless, voiceless, over-worked and under-valued cog in the labour pool, expected to compromise home and social lives. Late nights and intense drinking sessions leave many of them passed out in the city streets. This slick, incisive documentary raises questions around the ethics of our global working practices in a capitalist society.
5.0Made in Japan is the remarkable story of Tomi Fujiyama, the first female Japanese country music star. From playing the USO circuit throughout Asia to headlining in Las Vegas and recording 7 albums for Columbia records, Tomi’s career culminates in a 1964 performance at The Grand Ole Opry where she followed Johnny Cash and received the only standing ovation of the night. Forty years later, Tomi and her husband set out on a journey through Japan and across the United States to fulfill a dream of performing at The Opry one more time. Made in Japan is a funny yet poignant multi-cultural journey through music, marriage, and the impact of the corporate world on the dreams of one woman.
0.0Suh, whose favorite Packer will always be Mason Crosby; Omi and Ayaka, whose infant daughter already sports a green and gold onesie, and Ryuta aka “fatdragon08” who briefly lived in Milwaukee in 1990, studying English, where he was teased for wearing a San Fancisco 49ers jacket, and subsequently converted to the Pack Life. Benzine’s film lets us spend quality time with these super fans, and then follows them as they make plans to cross the sea to see their beloved Packers in-person at Lambeau! As director Benzine says, “No Packers, No Life is a story about a sports team and their fans, but more than that it illustrates how people from all over the world can come together and unite over a common passion. Also, the Japanese fans arrive in Green Bay and get to ride the Zippin Pippin and party a lot. It’s a very good time.”
7.8This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.
6.7An account of the troubled life of Richard Sorge (1895-1944), a Soviet spy of German origin who played a decisive role in the outcome of World War II.
7.0An independent crowd-funded documentary that celebrates the sixty-year legacy of the world's greatest monster, Godzilla. Filmed on location in Tokyo to document kaiju-related events, locations and to interview cast, crew and fans of the Godzilla series about their passion and experiences with the King of the Monsters.
7.7Revered sushi chef Jiro Ono strives for perfection in his work, while his eldest son, Yoshikazu, has trouble living up to his father's legacy.
9.3Revisiting the genre of the road movie in a very diaristic and personal way, the film takes us on board architect Ryue Nishizawa’s vintage Alfa Romeo (Giulia) for a day long wandering in the streets of Tokyo.
6.4Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
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