La fabbrica sospesa(1987)

Jinsuk & Me(ko)

I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?

Colorless, Odorless(ko)

Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards, tracing the smells and effects of substances that cameras cannot capture. Testimonies of the past overlap with current symptoms, and the disaster repeats itself in other bodies and places.

Hollywood Rated 'R'(en)

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

In the Land of Machines(ko)

Every year, many Asian workers arrive in South Korea with dreams of prosperity, only to face exploitation in what is known as the 'City of Machines.' This documentary follows three Nepali workers as they endure harsh realities while reclaiming their dignity through poetry.

Dangerous Play(es)

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

7 mill. HK – en film om Burmeister & Wain(da)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Telefonen ringer(da)

Stripper(en)

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

La Génération des Enfants du rock(fr)

Salman Rushdie: Death on a Trail(fr)

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

Electric Boogaloo: The Wild, Untold Story of Cannon Films(en)

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

DFW Punk(en)

DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.

Maria's Story(en)

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Better Living Through Chemistry(en)

In the 1970s, Dr. Alexander “Sasha” Shulgin significantly contributed to the development and psychopharmaceutical use of MDMA: a catalyst to personal doors entombed or unknown. His widow, co-author, and research partner, Ann—alongside friends, family, and colleagues—gives a guided tour of their life and laboratory, reflecting on how risks and revelations opened a world of compound enlightenment. Stippled with spirituality, sadness, and skepticism, the Shulgins’ chemical love story examines the power of psychedelic psychotherapy, sacred alchemy, and challenging the path of misunderstood resistance.

When Liberty Burns(en)

An in-depth analysis on the 40th Anniversary of the life and untimely death of Arthur Lee McDuffie at the hands of Miami Dade police officers.

Akademija the Republic(sr)

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

Farewell, the spy who loved France(en)

"The Farewell Affair" is one of the greatest espionage stories of the Cold War that will result in the accelerated fall of the USSR. It involves Vladimir Vetrov, a KGB agent put in the closet, who decides to contact the DST and deliver several lists of technological and scientific agents and secrets, which the KGB has been stealing from the countries of the Western Blocs for decades.

Sardou, autoportrait(fr)

Dadi's Family(en)

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.