Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
2004-07-23
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Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.
The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.
A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.
The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.
The story of evolution, from the first aquatic organisms to modern man (and woman).
While gun violence was on the decline in most major US cities, why did it continue to increase in Chicago's segregated communities? What is known about the systems that created the problem, the laws that isolated it, and the policies that abandoned it? Using dramatic footage, including interviews with residents on the front lines over the last 15 years, this documentary opens a rare historical window into the systematic creation of poverty stricken communities plagued by gun violence.
A tour of the exotic locations of 'Goldfinger'.
More than a decade after the release of the revolutionary skateboarding film The End, Birdhouse comes full circle with a monumental release of cinematic majesty titled The Beginning.
You gotta buy it (or steal it) to find out who's in it.
Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.
Documentary exploring body dysmorphic disorder, a condition which causes people to believe they are extremely ugly. The film follows 29-year-old Liane and her boyfriend Mitch over a year as Liane starts therapy to try and conquer this crippling condition. Each week Liane meets Professor David Veale, one of the world's leading experts on BDD, who attempts to undo some of her deeply entrenched habits, often leading to uncomfortable and revealing realisations. The documentary also hears from a range of people who are in recovery from BDD talking movingly about their own personal experiences helps illuminate Liane's journey and reveals more about this illness.
In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.
Palm Springs, a small desert oasis 100 miles East of Los Angeles was Sinatra's true home for 50 years. During his brief yet turbulent marriage to Ava Gardner his Palm Springs home was center stage. For the rest of his life, the Rancho Mirage compound on Frank Sinatra Drive, was the home he called "My Heaven". Palm Springs still feels the ghost of Frank Sinatra.
The history of the Stonewall Riots is equally as cherished as it is charged. There are questions of who was there, who "threw the first brick" and who can claim Stonewall. This film doesn’t answer these questions but instead it aims to expand the story of Stonewall by including more voices in its telling by bringing together voices from over 50 years of LGBTQ activism to explore the ongoing legacy of Stonewall.
Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.
Take ten boys aged 11 and 12. A variety of backgrounds. Put them together in a house, with no adult control. Followed by a camera crew, the boys form hierarchies, rarely organise meals, and argue about where to sleep.
A career overview of film and TV actor Richard Widmark.