Život a čísla(1948)

The Mermaids' Tears: Oceans of Plastic(fr)

Every km of ocean now contains an average of 74,000 pieces of plastic. A 'plastic soup' of waste, killing hundreds of thousands of animals every year and leaching chemicals slowly up the food chain. In Holland, scientists found plastic in the stomachs of 95% of all fulmar birds. In Germany, plastic has been found to affect the reproductive systems of animals, while in the US, conservationists are seeing increasing numbers of dolphins die in agony, their guts blocked with rubbish. What will be the long term impact of this 'plastic pollution'? Can anything be done to clean up our oceans?

Future of the Game: Baseball's Latest Statistical Revolution(en)

"It started with batting average, home runs and RBIs. Then sabermetrics came along and introduced a new set of results-driven statistics. But results only tell half the story, and the new revolution in baseball analytics goes one step deeper to measure the actual physicality of the players – exit velocity off the bat, spin rate on a pitcher's curveball, efficiency of an outfielder's route to a fly ball, and a ton more. "FUTURE OF THE GAME is a new series exploring the cutting edge in sports technology, co-produced with our pals at VICE's tech channel Motherboard. In this inaugural episode we meet the architects of MLB Statcast, a new initiative using the same technology that tracks debris during the launch of space shuttles to change the way we watch baseball on TV and give overlooked talent a second change to stick in the Major Leagues" (Vice Sports).

The Joy of Stats(en)

Professor Hans Rosling shares his excitement with statistics, and shows how researchers are handling the modern data deluge.

The Joy of Winning(en)

How to have a happier life and a better world all thanks to maths, in this witty, mind-expanding guide to the science of success with Hannah Fry. Following in the footsteps of BBC Four's award-winning maths films The Joy of Stats and The Joy of Data, this latest gleefully nerdy adventure sees mathematician Dr Hannah Fry unlock the essential strategies you'll need to get what you want - to win - more of the time. From how to bag a bargain dinner to how best to stop the kids arguing on a long car journey, maths can give you a winning strategy. And the same rules apply to the world's biggest problems - whether it's avoiding nuclear annihilation or tackling climate change.

The Joy of Data(en)

A witty and mind-expanding exploration of data, with mathematician Dr Hannah Fry. This high-tech romp reveals what data is and how it is captured, stored, shared and made sense of. Fry tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.

Sister Wife Murder(en)

Chloe attends church and is immediately drawn to the pastor, Caleb. She falls in love with him, only to discover that he is married to two other women. When one of the wives mysteriously disappears, Chloe fears that she may be next.

Moneyball(en)

The story of Oakland Athletics general manager Billy Beane's successful attempt to put together a baseball team on a budget, by employing computer-generated analysis to draft his players.

Small Cars and Crashes!(en)

Produced by the Insurance Institute for Highway Safety, this safety film discusses the dangers small or compact cars face on the road compared to large, luxury vehicles despite their growing popularity with consumers.

Zero Budget(en)

Looks at the emergence of lesbian feature filmmakers in the U.S. and how they produce films on a small budget. Interviews with directors Rose Troche (Go Fish); Sharon Pollack (Everything Relative); and Alex Sichel (All Over Me) as well as producer Dolly Hall, executive producer Christine Vachon and writers Sylvia Sichel and Guinevere Turner.

Jack of Three Trades: In Focus on Nicholson the Director(en)

We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.

Freight(nl)

Onboard the Panerai container ship, the young sailor Rudmer dreams of becoming a captain himself one day.

Elective Vicissitudes: The Radical Exiles of Jules Dassin(en)

In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield on Uptight, a "politically radical" film noir about Black revolution, framed against the April 4 assassination of Dr. Martin Luther King, Jr. Director, producer and co-writer Dassin, a blacklisted American exile, returns to his birth country after having gone into a second exile from his adopted country Greece, then makes a film that roiled the powers that be (or "powers that were") in the U.S. government. The material so upset the FBI that they closely monitored the production up until the eve of its premiere, recruiting crew members as moles. The irony is rich, as Uptight was a remake of John Ford's The Informer (1935) and dealt with a turncoat character who engineers the assassination of a revolutionary leader. How is Uptight both an outlier (or anomaly) as well as simultaneously integral to the career of Jules Dassin?

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger(en)

Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?

Entre Vitrais e Orações(pt)

Galeria Alaska(pt)

Clear Lines of Sight: Sidney J. Furie at Paramount(en)

Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?

Okoru Saigyou(ja)

Having worked in a wide range of fields from children's TV animation scripts to 'pink' films, independent auteur Okishima Isao directs and stars in this documentary. Upon hearing that the walkway along the Tamagawa Aqueduct, one of his favorite spots, was going to be closed to make way for a new road, he gathered his crew to document the scenery. Okishima gives accounts of various painters, writers, and manga artists, as well as his personal take on Saigyo, the traveling poet and Buddhist priest of the late Heian Period.

Reagan: From Movie Star to President(en)

Drawing from the recent book, Reagan: The Life by best-selling biographer H.W. Brands, this Ronald Reagan biography dives deep into the pivotal events that shaped his life. Dramatic recreations reveal the untold, behind-the-scenes moments that shaped the trajectory of his career. Interviews and rare archival material illustrate his life through the Great Depression, WWII, Hollywood’s Golden Age, The Cold War, an assassination attempt (not unlike Bill O’Reilly’s book and recent Nat Geo movie, Killing Reagan), and public and personal heartache.

The Invaders(en)

The rise and fall of a militant black power group based in Memphis, TN in the late 1960’s, from its creation, to their final negotiations with Martin Luther King Jr. minutes before his assassination.

Seven Easy Pieces(en)

For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.