Um Documentário Brasileiro(2021)

From the West(de)

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Sam in the Bag(en)

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

Leipzig in Autumn(de)

Voigt, Kroske and Richter were among the first filmmakers who documented the events of the historic 9th of October 1989. Their “material” reflects them from different angles: protesters, workers, opposition members, policemen, street sweepers and functionaries. THE document of the “peaceful revolution”.

A Portrait of N. B.(es)

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.

The Twenty One Pilots Universe: Welcome to Trench(en)

A documentary series finale analysing the entirety of Twenty One Pilots' new full-length studio album "Trench". Jimmy not only uncovers the stories of internal pain and fear that Tyler Joseph tells through the songs on the album. But, he also learns to overcome his own personal fears.

Todo Todo Teros(en)

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Taon Noong Ako'y Anak sa Labas(tl)

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

The White Match(sv)

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.

Las Vegas Meditation(en)

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana. (Dorothy Woodend, DOXA Documentary Film Festival)

Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy)(cs)

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

I Am FEMEN(ru)

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

BORN ON 25TH OF JANUARY(ar)

From January 25 to May 27, 2011, the film tracks four months of the Egyptian revolution as seen through the director's eyes. January 25 is the beginning, but May 27 is not the end - because the revolution continues.

F for Fake(fr)

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

The Ruins(en)

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

A Fight for(sl)

A month after the Wall Street occupation, a number of protesters follow their example and set up their tents in front of the Ljubljana stock market. The protesters are united in the critique of representative democracy and global financial capitalism under the slogan ‘nobody represents us’. Their organisation is based on the principles of direct democracy. In absence of other social alternatives, a community starts to emerge in the camp in front of the stock market where everyone has an equal say, and everyone is united in their diversity. After the initial euphoria the great idea of direct democracy clashes against the contemporary individual; antagonisms surface, similar to those of the system which the protesters fight against. The story about the Slovenian version of the ‘occupy’ movement is portrayed with the stories of a few protagonists, who despite several defeats do not lose hope in a different world.

Transgender Nuclear Suicide Sojourner(en)

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

Diario ordinário(pt)

Inbetween fiction and documentary, this film sails through the brasilian street resistance following the parlamentary coup of state.

Aquela Mesma Estação(pt)

Beyond Tragedies(pt)

Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.

Ôrí(pt)

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.