A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.
Portrait of the birth of a friendship between two men, while one helps the other to die. The acceptance of pain, the sense of humour and the commitment to family and friends, will accompany the virtual chats between Fernando and Eric, who were unable to meet due to the pandemic.
Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.
Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.
In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.
In depth look at the life and death of INXS frontman Michael Hutchence (1960-1997), who took his own life at an Australian hotel room at the age of 37 on November 22, 1997. Featuring interviews with his family, bandmates and friends such as Bono.
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
Entering Worlds 2022, nobody expected DRX to make it past the Play-In stage. But their past record didn't keep the determined LCK team from eyeing victory at the biggest LoL tournament of the year.
A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.
Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.