Dieux du Stade - Making of Calendar 2001(2004)

Big Boys Don't Cry(en)

Big Boys Don't Cry' follows Joe Marler as he discusses his own struggles and learns new methods of managing mental wellbeing. The England and Harlequins player has opened up about his battles with mental health during his private life and his time playing rugby on the international stage. The documentary follows Marler as he travels around the UK to open up the conversation around mental health challenges and to learn about how people manage with their mental wellbeing - from taking the plunge in cold water swimming and getting involved in singing in a choir along the way.

Cut(en)

A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.

Revealed - Craig Bellamy: Inside the Storm(en)

One of Australia’s greatest coaches and leaders, Craig Bellamy, invites us into his inner sanctum as he aims to lead the Melbourne Storm to ultimate success in 2024.

Ballet Boys(no)

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

The Warwick Rowers - WR17 England Film(en)

A beautifully crafted documentary that takes you behind the scenes of our 2017 calendar shoots in England. Shot on location in England in glorious color and full 4k definition, available as a download only. The Warwick Rowers are back for a 2017 video to support charity.

Private Diary(es)

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Contre vents et marées, l'épopée des Bleus avant l'Ecosse(fr)

Le réveil des Eléphants(fr)

Tackling the All Blacks(en)

Before the summer of 2022, Ireland had never beaten the All Blacks in New Zealand. Using behind the scenes footage and interviews with players and coaches this documentary reflects on the experience of triumphing in New Zealand for the first time.

Haka Nation(fr)

Straight and Butch(en)

Philadelphia TV host Butch Cordora is on a mission to publish a calendar that recreates iconic photos in pop culture, featuring himself alongside a cast of exclusively straight male models--all in the nude, all for a starkly revealing creative journey.

Being Barbarians(en)

An insider documentary following Scott Robertson and Ronan O’Gara’s management of the invitational Rugby Union Club; Barbarian F.C. for the 2022 Killik Cup tie versus the All Blacks' "Second XV" at the Tottenham Hotspur Stadium.

The Andes Tragedy: 50 Years Later(en)

In 1972, a plane carrying an Uruguayan rugby team disappeared into the Argentinean Andes. Now, 50 years after one of the greatest ordeals of survival in recorded human history, the full story is finally comprehensively told through the words of each of those who lived it.

The Mystery of the Pink Flamingo(en)

A square sound engineer employs unusual research efforts to reveal the secrets behind the quintessential icon of kitsch, the Pink Flamingo. His bizarre adventure will unexpectedly turn into a creative journey to self-discovery.

The Geography of the Body(en)

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.

Turned Out: Sexual Assault Behind Bars(en)

A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.

Au cœur du volcan(fr)

Taris(fr)

Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.

Steelers: The World's First Gay Rugby Club(en)

Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.

Ron Athey Is the Trojan Whore(en)

In this documentary Kerkhof takes the viewer into a bizarre underworld, the sub-culture of blood art and body piercing performance art. Kerkhof's camera registered a performance by the American blood artist Ron Athey which took place during the FREAK ZONE festival in Lille, France in May 1997. The camerawork is so freaky one would almost suspect it is under the influence of heroin. The film includes interviews with Athey as well as shocking live fragments wherein Athey works his face over with injection needles. The crazy, maniacal clamour of the HIV positive priest/performer gives us insights into the motives and goals of this group of masochistic performance artists. Somebody who entertains his audience by cutting and stabbing himself; is this art? Who can say? What is beyond question is that Kerkhof's masterful use of the camera and editing not only obscures the images but also the boundary between art and unbearable filth.