This documentary tells the story of three grandmothers who earn a living as prostitutes. Christel, Paula and Karolina either work in their own apartment, in a brothel, or receive clients at a dominatrix studio. They have no desire to justify what they do, nor do they make a show of their profession. These three women are engaged in a constant merry-go-round of slipping into different identities, selling dreams and trying to manage their own private life. Their multifaceted personalities make it clear just how differently they go about their trade, and what made them choose to earn their bread as a sex worker. The film provides an insight in to the lives of Christel, Paula and Karolina and their sometimes surprisingly middle-class routine.
This documentary tells the story of three grandmothers who earn a living as prostitutes. Christel, Paula and Karolina either work in their own apartment, in a brothel, or receive clients at a dominatrix studio. They have no desire to justify what they do, nor do they make a show of their profession. These three women are engaged in a constant merry-go-round of slipping into different identities, selling dreams and trying to manage their own private life. Their multifaceted personalities make it clear just how differently they go about their trade, and what made them choose to earn their bread as a sex worker. The film provides an insight in to the lives of Christel, Paula and Karolina and their sometimes surprisingly middle-class routine.
2010-02-14
1
Examines the voyeuristic and profit-making world of the online platform OnlyFans. Follows the lives of five OnlyFans content creators juxtaposed against an array of commentators that includes comedians, writers, and therapists/experts in the field.
Sacred Water is a film about female ejaculation and the discussions around it.
This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.
1961 documentary about the history and seedy reality of the sex industry in London's Soho.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
Made in the "Boca do Lixo" district in São Paulo, this work explores the world of women prostitutes in downtown São Paulo. The author allows the narrative to be led by the interviewees themselves, removing the reporter's voice and intervening as little as possible in the editing of the testimonies. At a time when AIDS was primarily associated with gay men, most of the prostitutes say they don't believe they can be infected and refuse to use condoms. One of them shares that she used to be a madam and a drug dealer, but now lives like an ordinary worker, working from 10 to 7 and raising her children. Another recalls her time as a domestic worker, earning in one month what she now makes in a single day as a prostitute. The soundtrack features songs by Milton Nascimento and Mutantes.
A portrait of the dancer Hanna Väätäinen, a friend of the artist, experiences her body after her hand was paralysed in childhood following a neck fracture.
A feature length documentary about the intense connections made between strangers over the telephone, and explores these anonymous conversations people are often too hesitant to have with the people closest to them. From crisis centers to psychics and sex workers, this documentary eavesdrops on the inner-workings of hotlines and puts faces to the voice on the other end of the line.
The world of pimping in early 1980s America offers a rare, unfiltered glimpse into a controversial underground lifestyle. Through exclusive interviews with the notorious figure “Harold” and his associates—Alice, Lori, and Karen—the film provides a nuanced exploration of the lives of pimps and streetwalkers and the ways their paths intertwine. With a focus on both the allure and inherent dangers of this lifestyle, the documentary reaches a sombre climax, shedding light on the tragic murder of Alice Franklin, one of Harold’s streetwalkers, later that same year.
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
EMPOWER is a series of three portraits of sex workers with heterogeneous trajectories crossing paths of migration, Trans identities, feminism, the fight against HIV, the fight against precariousness and discrimination. Interweaving personal journeys, political analysis, and strategies of collective resistance, Aying, Giovanna Murillo Rincon, and Mylène Juste demand for the rights of minorities. Far from the objectification often at work in documentaries, EMPOWER is a tribute to the voices of sex workers through an active collaboration in production with the protagonists.
Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
In 2018, can we speak freely about female sexuality? It all begins with a bold question: “What do French women do in bed?” The interviewees describe their sexual practices, their desires, and their boundaries. Are they more fulfilled and uninhibited than the generations before them?
An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.
An intimate discussion among three professional women active in the Gay Community. They share anecdotes of childhood, careers and many delights of being lesbian women.
Dr. Wardell Pomeroy demonstrates the sex history-taking procedure integral to therapy and research. A key factor is the order of questions asked and his non-judgmental approach. Using a rapid notation system, Dr. Pomeroy condenses into a single sheet the equivalent of 25 typed pages. For training therapists and counselors in interviewing techniques
The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.