A 10-year-old boy is in the car with his Roman and Romanist father. They are late because the derby is about to start, but first they have to go to a place. The child is dressed in a fluttering blue miniskirt and a cape like a superheroine. They arrive at the supposed show. Ettore begins to sing a song with female movements, but after a few bars, he is interrupted. He is not in school, but in a room of a pediatric hospital and in front of him there is a friend of his who is taken to the operating room.
Figlio Ettore
Caposala
amica Ettore
Bimbo bagno
A 10-year-old boy is in the car with his Roman and Romanist father. They are late because the derby is about to start, but first they have to go to a place. The child is dressed in a fluttering blue miniskirt and a cape like a superheroine. They arrive at the supposed show. Ettore begins to sing a song with female movements, but after a few bars, he is interrupted. He is not in school, but in a room of a pediatric hospital and in front of him there is a friend of his who is taken to the operating room.
2020-10-04
6.5
In MY WIFE IN FIVE, Schlingensief composes tracks and takes to a shimmering cinematic music piece. The playlist changes constantly between the styles, as if this record had a jump – Irving Berlin's This Is The Army, Mr. Jones, an Ave Maria Variation and Jacques Offenbach's world-famous Infernal Galop can be heard. Equally to the music the pictures also have scratches. The music film MY WIFE IN FIVE was created during a sound seminar by Christoph Schlingensief with students of the Hochschule für Gestaltung Offenbach. It already contains all forms of cinematic means and alienation, which he later used in his theatre and opera productions.
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