During the Joseon Dynasty, hair that was black and rich, like mud, was a prerequisite for a beauty, while the hair of a woman who was short and stiff was described as negative and ugly. In 1920, the new woman was called Modan (毛斷). Short hair had a strong meaning for women to challenge the established system. Now in 2019, women also cut their hair. It is a movement that rejects the social definition of “feminine”, escaping “Corset” movement.
During the Joseon Dynasty, hair that was black and rich, like mud, was a prerequisite for a beauty, while the hair of a woman who was short and stiff was described as negative and ugly. In 1920, the new woman was called Modan (毛斷). Short hair had a strong meaning for women to challenge the established system. Now in 2019, women also cut their hair. It is a movement that rejects the social definition of “feminine”, escaping “Corset” movement.
2020-12-10
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All The Eyes is the story of the lives of children whose geographical determinism has created obstacles for them to achieve their dreams. Children who live in one of the most deprived areas of Iran: Kotij, a city of 6,000 people in Balochistan.
A golden summer dress in XXL, the ice-lolly drips slowly onto the hot ground. RIOT NOT DIET creates a queer feminist utopia far away from BMI norms and male* gaze. The fat women* and queers in this movie are not ashamed of their expansive body dimensions, but confidently claim space for themselves. They use their bodies to blow up patriarchal structures and enjoy their corporeality beyond the neoliberal logic of exploitation. In times of self-optimization, your belly is a statement!
In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
Documentary about feminism in music and the challenges it has faced through the years from the '70s to present day.
Documentary about the practice of abortion in France in the early seventies, at a time when it was still illegal.
A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.
One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
In this documentary, 6 protagonists tell their personal experiences of abortion and sterilization, from unplanned pregnancy to a happy mother and vice versa from the wanted child to regretting motherhood.
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
This film shows the work done by the "socorristas" feminist network. Through informative talks and stories about the actions of emotional containment these women have with others who need support, it seeks to eliminate the stigmas on abortions while also bringing out the reality of the clandestine abortion.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
The road from the kitchen to parliament was long and rocky for Swiss women - four generations had to fight for the male electorate to grant women the right to political participation. Stéphane Goël's documentary traces this path with sensitivity and humor.
An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.