We Are A Conversation(NaN)

Quem Precisa de Identidade?(pt)

Every day they have to fight to exist. Immigrants and Afro-descendants in Brazil - one of the most racist countries in the world - move to overcome the struggle of existence and have a better place with respect and rights. But how to guarantee one's identity if racism is such a perfect crime that the culprit always ends up being the victim of a victim?

One Man and His Shoes(en)

'One Man and His Shoes' tells the story of the phenomenon of Air Jordan sneakers showing their social, cultural and racial significance and how ground-breaking marketing strategies created a multi-billion-dollar business.

HairKutt(en)

In this chilling documentary about the power of addiction, three friends take their fourth longtime pal Bryant "HairKutt" Johnson to a remote cabin in the Tennessee woods, hoping to force him to kick his heroin habit. The group must cut short their trip when HairKutt's body begins to fail without the drug, and after rushing him to a hospital, the friends are dismayed to find that he quickly returns to his old ways.

After the camps, being alive...(fr)

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

Mirroring Michael Jackson(en)

A documentary film honoring the King of Pop showcasing how Michael Jackson's groundbreaking musical legacy has influenced performers of the past, present and future.

Manne(de)

Oh My God(en)

Visual companion to the album Oh My God by Kevin Morby. Described by Morby as "half documentary and half dreamscape."

India's forgotten people(en)

It's Elementary: Talking About Gay Issues in School(en)

Depicts what happens when students K-8 discuss LGBT-related topics in age-appropriate ways. Shot in six public and private schools (in San Francisco and New York City, as well as Madison, Wisconsin, and Cambridge, Massachusetts), It’s Elementary models excellent teaching about family diversity, name-calling, stereotypes, community building, and more.

Sociology Is a Martial Art(fr)

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

Turned Out: Sexual Assault Behind Bars(en)

A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.

Letters(no)

Over the span of a year, filmmakers Marte(Norway) and Jéro (South Korea) exchange visual letters, documenting their everyday lives.

Dragphoria(en)

Dragphoria is a short film about drag and identity, finding yourself in a noisy crowd, and slowly accepting yourself after a long-awaited denial.

Comme un rayon de soleil sur la peau(fr)

What We Remember(de)

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

The Society of the Spectacle(fr)

Guy Debord's analysis of a consumer society.

Jackass: The Movie(en)

Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.

Avec l'amour(mk)

A simple story, but larger than life portrayal of the universal human saga represented through Dionis, a retiring biology professor, his wife and his fantasy of turning his unusual car collection into a museum in a small uneventful town.

McCarthy(en)

"McCarthy" chronicles the rise and fall of Joseph McCarthy, the Wisconsin senator who came to power after a stunning victory in an election no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening America — emanating not from a rival superpower, but from within. Free of restraint or oversight, he conducted a crusade against those he accused of being enemies of the state, a chilling campaign marked by groundless accusations, bullying intimidation, grandiose showmanship and cruel victimization. With lawyer Roy Cohn at his side, he belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach. But his name lives on linked to the modern-day witch hunt we call “McCarthyism.”

Mariner of the Mountains(fr)

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.