Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.

Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.
2003-11-13
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7.0In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
0.0This feature documentary takes a look at how the Halifax/Dartmouth community in Nova Scotia was stimulated by a week-long session held by a panel of specialists from different fields who met with members of this urban community to consider the future of the area and the responsibility of the citizens and government in planning the future.
0.0A close-up of a snow-bound city, and the men, money and machinery it takes to dig it out.
6.5In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.
5.5In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
0.0In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
0.0This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
0.0The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
A documentary focused on the proliferation of bedbugs in Marseille.
0.0The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
0.0Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.
0.0A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
Iceland's first non-narrative full-feature film's focus is set on presenting Iceland in a way it has never been presented before, using various elements of high-end cinematography. There are places everyone knows, but there are also thousands of well hidden places. To find these locations one has to be adventurous or a local, and to capture them right, one has to be creative and extremely patient.
0.0Marseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
0.0A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.