An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.
Narrator
Self
Self
Self
Self
An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.
1952-06-30
0
A wounded moose escapes its hunters, later dying deep in the forest and becoming... a communal feast. As the seasons go by, mammals, birds and insects invite themselves to the banquet - multiplying ensuing games, rituals and conflicts. In exploring and occasionally foiling nature's wildlife codes, our story becomes a simple yet poignant reflection on death, on its natural place in this world and, by extension, on its deeper meaning and purpose - important lessons to explore at this time when the glorious paradises offered by religions tend to feel less and less credible.
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A documentary on the passing of the steam locomotive as the primary means of transportation in the United States
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Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.
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