The 600: The Soldier’s Story(2019)

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Angeli Distratti(it)

Fallujah, November 2004. While bombings and massacres with unconventional weapons follow one another in the city, an American soldier and an Iraqi woman meet in a strange room. The story told, based on episodes that really happened, is interspersed with repertoire material and interviews with Simona Torretta.

The Earth Is Blue as an Orange(uk)

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Victims 1918(fi)

A documentary on the executions that took place during and after the Finnish civil war in 1918.

Blue Helmet(fr)

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

Resurface(en)

A suicidal war veteran finds like-minded souls in a surf therapy program that helps traumatized soldiers heal while riding the waves.

The Fog of War(en)

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Here and Elsewhere(fr)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Drone(en)

DRONE is a documentary about the covert CIA drone war. Through voices on both sides of this new technology, DRONE reveals crucial information about the drone war in Pakistan and offers unique insights into the nature of drone warfare.

Art of War(en)

Documentary on the main principles of Sun Tsu "Art of War" illustrated with examples from the second world war, the Vietnam war and the American civil war.

Bruxelles-Kigali(fr)

Occupation 101: Voices of the Silenced Majority(en)

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

The Deminer(en)

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

Safeguarding Military Information(en)

World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Accidental Anarchist(en)

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

We Are Many(en)

The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.

Men in Pink(en)

The aftermath of the Rwandan genocide: A student theatre troupe tours Rwanda with a comedy about the genocide, a gang of killers gets rough justice at the local genocide court, and a prosecutor investigates a priest for the murder of five Tutsi children. Meanwhile, in neighbouring Tanzania, two of the genocide's leaders face the United Nations tribunal in snappy suits, defended by a panoply of French lawyers.

The Pity of War(en)

Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.