Tous Les Jours(2019)

Janine F.(de)

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Forger(en)

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

An Imminent Threat(en)

“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?

Under the Cloud(en)

An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.

Mon Clown(fr)

Documentary from French TV channel Canal+ about Marion Cotillard's road to the Oscar for her performance as French singer Édith Piaf in the 2007 film 'La Vie en Rose', also featuring behind-the-scenes footage from the film.

Isabella(en)

This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.

I Am a Truck(ko)

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

Harbour(lt)

While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatment procedures. People were plunging into bubble, mud and mineral water baths. They were going circles singing, were standing under cold water spouts. All this seemed like a sacred ritual, that frees from scurf of life. They were naked, like just born, without any signs of standing in society. Movie – silent impression about tired people "harbour".

Martha(ru)

"I can get closer to God only through love for a man," says 75-year-old sculptor Marta, who still retains the ability to fall in love. And with each falling in love, experience your new birth - A WOMAN AND AN ARTIST. Her life dramatically combines old age, approaching death with a thirst for love and creativity…

Rainer Werner Fassbinder, 1977(de)

Rainer Werner Fassbinder reflects on the various stages of his career, discusses how his motives behind filmmaking evolved up his film Despair.

Tiny and Ruby: Hell Divin' Women(en)

This profile of storied trumpeter of jazz, Tiny Davis, and her cohort pianist-drummer, Ruby Lucas, is an amalgam of artifacts about the two women, accompanied with poetry by Cheryl Clarke.

Stories for Murders(bg)

A father killed his son. In a state of alcoholic delirium, a young man murdered his friend. A 21 year-old boy shot a policeman. Faced with their death sentence, they tell about what happens with them at the moment when they are between death and ... death.

Satan Satie(en)

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

TV-Ping-Pong(sh)

An early video work by Ivan Ladislav Galeta that underlines the perceptual presumptions of video-media.

Works of Calder(en)

The film begins with a sun materializing out of the emptiness of space. In the first of three sequences we see various images from nature against music: the sky, trees, leaves, a bird, water, sand, a beach. A little boy wanders along the beach observing the natural world around him. He walks and presently comes to a house and peers inside. The second sequence has no music. The narrator speaks of sculptor Alexander Calder and his work, as we see Calder in his workshop, cutting and creating unusual shapes, and seeing the resultant artworks. The last sequence has music as we view images of Calder's work. However, now they are intercut with images from nature so that we understand that Calder's inspiration is the natural world around him. The film ends as it began, with an image of the sun, now fading into the sky.

La Déroute(fr)

How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.

The End of the World: The Actor's Perspective(en)

A short piece that looks at the 2012 film's ensemble cast and the strengths they brought to the project.

Petr Brandl – malíř světla v době temna(cs)

Natalie Portman: Starting Young(en)

Natalie Portman reflects on how she was cast in the film Léon: The Professional (1994) at such a young age.