Abhaas(1997)

Prishati(hi)

Gulaab Gang(hi)

A fearless woman fights social injustice; creating a sanctuary for abused women and battling a crooked politician.

Hero Hindustani(hi)

After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.

Queen(hi)

Rani, a 24-year-old homely girl, decides to go on her honeymoon alone when her fiancé calls off the wedding. Traveling around Europe, she finds joy, makes friends, and gains new-found independence.

Meera(hi)

Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.

Rudaali(hi)

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Highway(hi)

Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.

Navrang(hi)

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

Pehchaan(hi)

A convict by the name of Yogi Shankar is accused of sexual molestation in court. The Judge Jagdish Verma who is responsible for passing Jogi's sentence is well aware of Jogi's behavior as he was once Jogi's defense advocate. With no hesitation Jagdish Verma grant a seven years period of rigorous punishment to Jogi despite his pleadings. The Judge family consists of his wife Urmilla, sons Kunal and Karan Verma; on completion of his seven years sentence Jogi is released from jail and abducts Urmilla, finds out that she is pregnant, ensures that she gives birth to a baby girl Tina and then kills her.

Ankhon Dekhi(hi)

Bauji resists his daughter's request to let her marry the man she loves as the neighbours incessantly shame him. However, his opinion changes after he meets him and he decides to change his viewpoint.

Satya 2(hi)

A man researches the mistakes made by mafia dons to reinvent the underworld.

Toofan Aur Diya(hi)

A newly orphaned brother-sister duo take refuge in a temple where they receive help from people who believe in them and push them to overcome several hurdles.

Three of Us(hi)

Shailaja embarks on a confrontational journey with her husband and childhood-love as she finds herself at the cusp of her past, present and future. Stitched with a very delicate thread of emotions, this film is about love, loss, healing, awareness and liberation.

Jawani Diwani(hi)

Madhu marries Ravi Anand, the son of a mere employee in her Thakur brother's household, and this results in her brother breaking all relations with her. Madhu moves in with Ravi, and his younger brother, Vijay. Years later, she gives birth to a son, and attempts to reconcile with her brother, to no avail. Then Vijay meets Neeta and both fall in love. Little does Vijay know that Neeta is none other Thakur's daughter, who has already been promised to Benny Sinha.

Swarg(hi)

Living in a posh mansion named Swarg, this is the story of Sahabji, his wife sister Jyoti, two brothers, and a sister-in-law. Sahabji has a clash of wits with Dhanraj, who successfully schemes with Sahabji's two brothers, and takes over the prestigious mansion and vast business empire, leaving Sahabji virtually penniless, and devastated with the passing away of his wife. His brothers have now taken over the money, and his business. It is now up to a servant of the mansion, Krishna to set things right for Sahabji's household. How can a poor servant succeed against rich and powerful individuals?

Karz Chukana Hai(hi)

Alcoholic, arrogant, and a slacker, Atmaram, though coming from a poor family, has visions of grandeur, and believes that everyone else is subordinate to his wishes and instructions. This lands him in hot water with his employer, Seth Usman, and as a result he loses his job. Unable to support his family, namely his wife, Laxmi, and two grown sons, Ravi and Vijay, he starts living at home, dependent on his sons' incomes. Then fate delivers a cruel blow to Atmaram, leaving him alone and desolate. He decides to atone for his mistakes, but will he able to convince others of his good intentions, who are weary of him, and fear that this may be another ploy on his part to fool them again.

Balika Badhu(hi)

In a village circa the British rule in India, lives a young school-going male named Amal, who is shortly to get married to a girl named Rajni. The traditional ritual-filled marriage takes place, the young couple are then left alone for a few days, and this is where the two develop their love and friendship. Then Rajni must return to her parents' house, while Amal continues with his studies in school, and at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Rajni next visit is scheduled for Durga Pooja, but she does not come, instead she comes at Vijay Dashami, to stay there for a couple nights, before going on a Tirth Yatra with her family, where they are scheduled to visit all the holy places in India namely, Benaras, Gaya, Mathura, Vrindavan, Hardwar, Nasik, Hrishikesh, Dwarka, Rameshwaram, Kamakshya, Puri, and Konarak.

Chehraa(hi)

Reena and fellow collegian Akash Mehta are medical (psychiatry)students. They are sweethearts and hope to marry each other after completing their education. Before that could happen, Megha Joshi enters their lives and changes everything. For Akash falls head over heels in love with her, and will do anything for her. Just when their education is about to get over, Megha disappears from Akash's life.

Last Train To Mahakali(hi)

The story of a doctor on death row who claims to have discovered a permanent cure for any virus-based disease.

Jurm(hi)

Avinash Malhotra (Bobby Deol) is married to Sanjana (Lara Dutta). One night Sanjana is murdered, and Avinash is arrested for the murder of his wife.