

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.


The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
1971-10-01
0
0.0Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards, tracing the smells and effects of substances that cameras cannot capture. Testimonies of the past overlap with current symptoms, and the disaster repeats itself in other bodies and places.
0.0I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
This color documentary tells the story of the "Mamais." In 1960, a group of workers at the Bitterfeld chemical plant set themselves the task of becoming the first "socialist brigade" in the German Democratic Republic (GDR) to act in accordance with the slogan "Work, learn, and live socialist."
5.5Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
0.0Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
8.3We are engulfed in a digital tsunami—a toxic mix of artificial intelligence, state and corporate surveillance, and social media addiction controlled by powerful algorithms. Digital Tsunami shows how these are all elements of a digital ecosystem that is changing us as humans—just as the prophetic media guru Marshall McLuhan predicted 60 years ago. The unexpected consequences of this digital revolution have created an urgent need for strategies for survival.
0.0Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.
0.0The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
The documentary shows historical film footage from the workers' and farmers' faculties (ABF) of the GDR, which existed until 1962 and were intended to help level out class differences in the education sector by preparing mainly workers' and farmers' children for a university career.
4.5Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).
7.0Going Circular unlocks the secrets to an innovative concept called circularity -- an economic system that eliminates waste and saves the planet’s resources. The film tells the story of four visionaries from around the world - 102-year-old inventor Dr. James Lovelock, biomimicry biologist Janine Benyus, designer Arthur Huang, and financier John Fullerton - whose extraordinary experiences changed the way they think about humanity’s future. Each of their stories leads them to a fundamental reassessment of what our food, our cities, our financial system, even our fashion industry could look like if we create, produce, and distribute within Earth's natural boundaries.
8.5A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.
0.0A trip behind and beneath the street-level skin of the city on the hidden paths of industrial history and once-and-future transit.
7.5How did the USSR - a country considered a second-rate industrial power, economically inferior to Germany, the USA and the UK - shape its victory over the armies of Hitler's regime, and secure its place among the winners?
0.0Ernst Cantzler’s documentary about the soccer fan club “Union”, the scenes in the stadium, in their club bar “Green Hell” and in the streets of Berlin was a sensation. The scenes shown by the director and his cameraman had never been seen before: young soccer fans full of violence in the “first German peaceful state”. They are Hooligans who live from one weekend to the other just to get it all out. They want to scream, kick, hit and drink.
8.0A look inside one of the most brutal campaigns of state repression in modern history - told by those who endured it and those who enforced it.
10.0In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.