Co-directors Michelle Shephard and David York take an intimate journey with the mother of a young Canadian woman named Amina who left home to join the war in Syria and become a member of ISIS. From Canada to Europe and Turkey and back again, they work various channels seeking what a CSIS officer calls the “exfiltration” of Amina from inside the so-called Islamic State and into the custody of Canadian officials.
"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.
In the privacy of her own home, a Syrian woman shares her thoughts and feelings, talking about her existence, and her desire to be open about her sexuality in a conservative society.
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
A dramatic tale of espionage, propaganda, and romance, following the infamous Berlin rapper Denis Cuspert aka Deso Dogg and his journey from artist to MMA fighter to ISIS recruiter. When the FBI assigns a translator to monitor Cuspert, her quest to get close to him takes over her life.
A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.
On the front line of the Syrian war, a 30-year-old commander leads her female battalion to retake an ISIS-controlled city and emerges severely wounded, forcing her to redefine herself in this empowering tale of emancipation and freedom.
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
Shot over three years on the borders between Iraq, Kurdistan, Syria and Lebanon, the film depicts the everyday struggles of people attempting to rebuild their lives amongst the devastating effects of civil wars, dictatorships, foreign invasions, and the deadly presence of ISIS.
On 12 February 2012, two journalists entered war-ravaged Syria. One of them was celebrated Sunday Times war correspondent, Marie Colvin. The other was photographer, Paul Conroy. Their aim was to cover the plight of Syrian civilians trapped in Homs, a city under siege and relentless military attack from the Syrian army. Only one of them returned.
Civilians, journalists and soldiers from both sides of the conflict explain their experience during the Iraq War, from the 2003 invasion through the 17 years that followed. Edited version from "Once Upon a Time in Iraq" (2020)
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
After he completed his mandatory military service, the filmmaker was held in retention as the revolution unfurled in his country. His military rank was that of a sergeant. During these times, he would go back to his home, located in the middle of Damascus city, take off his military uniform and return to his normal life, working as an assistant director with his friend, the filmmaker Mohammed Malas. To make sense of this schizophrenic situation, he decides to take his camera and start shooting a ‘making-of’ that will eventually go beyond Malas’s film.
The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.