
In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.





In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
1998-09-16
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0.0An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.
5.7'One Man and His Shoes' tells the story of the phenomenon of Air Jordan sneakers showing their social, cultural and racial significance and how ground-breaking marketing strategies created a multi-billion-dollar business.
0.0Andy is a loyalist of the Ka'bah Youth Movement (GPK) which is one of the 'civil militias' under the United Development Party (PPP) based in Yogyakarta. In 2019, Andy decided to support Prabowo Subianto to become the President of Indonesia. During the unstable political tension in Indonesia, Andy was required to maintain the condition in Yogyakarta.
10.0After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
4.0Whenever the phrase "breaking the color line" is used, there's a temptation to invoke Jackie Robinson's story. However, Perry Wallace, the first black college athlete in the Southeast Conference, was a mere teenager who stood all alone at center court in such hotbeds of rabid racism as Starkville, Mississippi and Tuscaloosa, Alabama.
4.0Leaving her girlfriend Kat in the car Rajinder enters her house to announce to her parent's she is gay. But before she can tell them her parents make an announcement of their own.Should she do as her parents wish or disobey them and dishonour the family?
6.7From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?
7.2While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.
0.0The last sovereign Zulu King, a female British missionary, an ambitious colonial official and a young Welshman are all voiced by actors to make AMASHINGA a beautiful and epic explanation of the British invasion of the Zulu Kingdom in 1879.
0.0Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.
0.0A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
8.2Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.
6.7Guy Debord's analysis of a consumer society.
0.0On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
10.0WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.
7.9Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
0.0"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.
0.0The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.