1992-05-06
0
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Ana, a former member of the Basque terrorist group ETA who lives in a small village near the Portuguese border working as a veterinarian and sharing her days with her partner Darío and their daughter Amalia, meets José, an attractive man who participated in the dirty anti-terrorist war against ETA criminals who took refuge in France.
Two former seminarians meet by chance in adulthood: one has become a dealer, the other a terrorist.
Leni Gruyetin, a resident of Nazi Germany, lives a tumultuous life as she bears witness to the fascist regime of the Nazis.
Though the drug does not belong to him, importing heroin gets Acai Nakrim locked up in jail which then leads to his death penalty. Before the execution day, he flees with the help of an old man.
Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and friend to Mikel in his coming out, and even the local priest.
When Matt Denant (Gerald de Maurier) finds himself wrongly imprisoned for manslaughter, he takes an opportunity to escape from jail during a foggy day and is forced to rely on the goodwill of local people to remain a fugitive of the law.
Sonny and Dub once shared a cell. Now Sonny is a free man, but Dub is on death row and sentenced to be executed in a matter of days. As Sonny comes to visit Dub one last time, Dub has one last dying request for Sonny.
In order to gain his freedom, a prisoner must best the ultimate tactician in the truest test of skill: a gauntlet of children's board games
Puek, a boy from the slums, had no choice but to endure his circumstances, feeling that he could never have the same worth as others. He remained silent, accepting the bullying of others just to survive in society.
Is Taiwan the scene of the next bloody war? A Chinese attack could trigger a conflict between the superpowers. How great is the danger of a Chinese invasion?
Hurrah! For Freedom (aka Viva Freedom) is a 1946 Korean film directed by Choi In-kyu. It was the first film made in the country after achieving independence from Japan. During the country's occupation Choi was only allowed to make Japan-friendly films, but the plot of Hurrah! For Freedom is distinctly different, telling the story of a Korean resistance fighter in 1945.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A street hustler falls in love with a bar girl. They get married, but separate when the guy gets meted a death sentence after gunning down a rich customer of the bar in a fit of jealousy. The bar girl bears the hustler's child who becomes eventually blind.
Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not.
Vitoria, Basque Country, Spain, March 3, 1976. After several months of protests demanding decent working conditions, a general strike is called. Thousands of workers gather at the church of San Francisco while a hundred heavily armed policemen wait to act.
Lide works the night shift for the construction company in charge of a new high-speed train network, a project that has attracted protests and violent attacks. One morning she wakes up to discover that her teenage daughter, Ane, is nowhere to be found.
Human bones are found at the Garizmendi farmhouse. Farmers Fermin and Karmen call their son Nestor, who reports the matter to the authorities. But, when the agents turn up, the bones are gone. Suddenly, the bell on the nearby chapel begins to peal. This bad omen announces the coming of tragic events and reopens old wounds within the family and those around it.