Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.
Rodolfo
Marcello
Schaunard
Self - Conductor
Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.
Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.
Make me the Next Model Too is a model competition
A woman wants to divorce her husband, but is forced to live with him for six months first. Will she long to be with the one she loves, or will she learn to love the one she's with?
Prostitutes of old age make their living in Praça da Luz, in São Paulo. Unusual and surprising accounts of five women who reveal in detail their experiences in all these years of profession.
Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.
Quirky comedy about deaf identity - a deaf teenager reveals a personal secret to his hearing mother. Why does he have ‘dirty’ magazines and videos hidden in his room? What will his father say when he finds out? The unexpected revelations question whether family life will ever be the same again.
Toxins in a lake drive a fish crazy, and it starts attacking cottagers.
Teenage orphan Jenny Yates becomes starstruck when a revival of an old Victorian melodrama passes through her small New England town, to the disapproval of her stern grandfather, Uriah. Stowing away in the car of Philip Greene, a wealthy young man working with the theater troupe, Jenny talks her way into the play's lead role. But director Archie Fisher doesn't tell her that the new version of the play is meant as a spoof.
A seemingly mystical murder takes Captain Sophie Maliquot back to the Mont-Saint-Michel region where she spent part of her childhood and where her father, who died years earlier, is buried.
In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.
Are words, photographs and speeches sufficient means for describing and communicating a complex, harsh, unmanageable reality? These unsolved questions pursue Cassandra during her trip through the impenetrable Chaco as chronicler of a means of communication, her first job after graduating from literature school. The unknown reality of native peoples who live in the Chaco communities, their beautiful and uncomprehensive languages and their dilemmas facing an economy which excludes them, are part of a trip in which Cassandra finds an inhabitable world within her status as foreigner. Her visions start merging with the cosmovision of ancient inhabitants until she becomes part of the enigma herself.
Pro Wrestling NOAH caps off a thrilling year with their final Budokan event of 2005.
A federal agent learns the gangsters he's been investigating have kidnapped his sister.
In the notorious soapland district of Ogoto—Alice, a seasoned sex worker scarred by abuse and betrayal, is ready for a new start as she marries Honjo, a driver she once served. Despite her painful past, which includes being exploited by her stepfather and betrayed by her mother, Alice has found a semblance of family among her peers in the industry. She’s particularly close to Maya, a top earner in their shared apartment building, and maintains a complicated relationship with Dera, an intellectual companion of Maya’s. When Alice and Maya are mugged, they discover that the assailant is Tamae—Alice’s own younger sister. As the web of relationships further entangles with characters like the man Ikuno who originally introduced Alice to this harsh world, and others whose lives spiral out of control, the story builds to a series of shocking events. These include violent confrontations, explosive accidents, and tragic mishaps that leave the characters emotionally and physically shattered.
The film tells the story of the first skyscraper of São Paulo, the Martinelli building, and registers testimonials of its last residents who had to move after São Paulos’ municipality interdiction of the building. It shows the variety of human types and commercial establishments that used to exist inside the traditional building.
Thom Andersen (Los Angeles Plays Itself, Red Hollywood) reconsiders the films of Spencer Williams, the pioneering African American screenwriter, director, and actor whose 1940s melodramas centered on sinners and saints—Beale Street mamas and storefront preachers, crime bosses and upwardly striving lawyers and soldiers—who are tempted by jazz and sex and then set back on the glory road to salvation. - MoMA
A game of football turns deadly as an uninvited player joins in.