Passing and Being Passed(1972)

Silence(pl)

A portrait of a family living in a village in Masuria.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

My dad, Elvis(fr)

The Portrait(en)

It’s the opportunity of a lifetime for artist Phil Richards, who’s been commissioned to create Canada’s official portrait of Her Majesty Queen Elizabeth II for her Diamond Jubilee. Academy Award®-nominated filmmaker Hubert Davis follows Richards over months of painstaking preparations, as he works to capture Her Majesty’s likeness and spirit on canvas.

Hurricane on the Bayou(en)

The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.

The Hole In The Ground(en)

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

Christmas in the Distance(fi)

The director documents the events leading to a reunion with her estranged father.

El mégano(es)

Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.

Roundhay Garden Scene(en)

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Traffic Crossing Leeds Bridge(xx)

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Life After(en)

Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.

.TV(en)

.TV is a found footage essay film: Voicemails left by an anonymous caller from the future guide us to the remote islands of Tuvalu, a place the global media has described as “the first country to disappear due to rising sea levels”. Surrounded by thousands of miles of open water, much of Tuvalu’s revenue comes from its country-code web extension .TV, a popular domain choice among global video-streaming and television industries. The caller describes how heat, digital screens, and distance gave him no choice but to leave his sinking home and escape into cyberspace where rising waters will never reach him.

Laplander Feeding His Reindeer(en)

Short documentary released in 1907.

Ostern in Schwedt(de)

In order to meet the commissioning deadline of the VEB Erdölverarbeitungswerk Schwedt on April 1, 1964, around 450 NVA pioneers support the work to complete the start-up stage over the Easter holidays. The ceremonial commissioning takes place punctually on April 1 in the presence of Minister Erich Pasold.

Remember(en)

This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Black Is the Color: African-American Artists and Segregation(fr)

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

Verräter(de)

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.

Der Schlag hat gesessen!(de)

Short film intended for the mobilization of NVA units to secure the state border in Berlin on 13 August 1961.