2016-06-15
0
An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.
This film tells the story of the unknown pre-history of the AIDS virus, long before people started to die in the US and Europe. Following a team of scientists we uncover a forgotten medical archive in the Democratic Republic of Congo, that tells of an epidemic a full two decades before anyone knew about the novel killer. From high-tech labs in the US to African medics who have their boots on the ground, we trace HIV back to its origin in the jungles of Cameroon. In the decades around the turn of the 20th century, colonialism fundamentally changed the lives of millions of people in central Africa; it created an environment that allowed HIV to leave its original host, the chimpanzee, and start to spread in humans.
A spirited cancer survivor goes on a spontaneous search for 'The Berlin Patient' - the first man in the world actually cured of HIV.
The story of musician Thomas Muchimba Buttenschøn - born HIV+ in 1985 - and his crusade to use his music to wipe out AIDS in his native Zambia and beyond.
Controversial documentary about gay men purposely contracting the AIDS virus.
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.
Women who are HIV-positive discuss how they "came out" about their infection and became politically active.
Stiff Sheets indicts public health officials and politicians for the lack of adequate and humane care for people with AIDS in Los Angeles, this time documenting a mock fashion show staged by ACT UP activists.
Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.
Voices of Positive Women is a ground-breaking documentary examination of the impact of HIV and AIDS on the lives of women working from material published in the book "Positive Women", a collection of personal accounts of women from all over the world living with AIDS and HIV. Bravely sharing their experiences publicly in what until now has been a void of information and support, and in some cases medical and bureaucratic denial that women are even at risk, the nine women presented in Voices of Positive Women speak compellingly on their own terms of their personal struggles for survival and voice.
A documentary film that tells the story of the Peter Kruger Clinic (PKC) – one of the first HIV/AIDS clinics in the United States, which was established at Beth Israel Hospital in 1989. Started during the height of the epidemic in New York City, PKC boldly stood against the stigma of the disease and served as a beacon of hope and a model of care for those New Yorkers diagnosed with HIV/AIDS. This powerful film traces the clinic’s origins and its impact over the last 3 decades, as told by the patients and staff that have called it home.
Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.
A powerful story of loss, stigma, friendship, and being alive! "I will speak, I will speak!" tells how five HIV-infected men and women from Zambia (Lusaka), Russia (Moscow), the USA (San Francisco), Cambodia and England brave life while infected with the deadly virus.
Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".