A young countess, Nera Keglević, is fighting against believing in witches by using witchcraft. But the problem is that local judge Krajačić is accusing Nera to be witch for revenge.
Nera Keglević
Siniša Vojkffy
Suzana Ratkay
Terka Nadaždi
Ivo Škerlec
A young countess, Nera Keglević, is fighting against believing in witches by using witchcraft. But the problem is that local judge Krajačić is accusing Nera to be witch for revenge.
1920-03-31
0
A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.
On the anniversary of their grandmother's death, four cousins, as close as brothers, reconnect on a road trip to the Texas Rio Grande Valley to pay respects to the woman who helped raise them. Hidden beneath their friendship, the truth of their childhood surfaces to reveal a darkness in the family that won't stop until the cousin's lives are changed forever. Blending comedy, Mexican folklore and terror, Blood Cousins puts a new spin on revenge films and defines the word,'retribution'.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
A film with no protagonist revolving around being trapped inside and going toward the beauty of nature and freedom.
Anna Moore, a poor orphaned country girl, and her little brother, Tommy, live with hypocritical Squire Simpson, who conspires with his son to acquire the inheritance due the girl.
Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.
"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.
The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.
The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.
"Sleep Sweet, My Darling" shows a bittersweet coming of age of Tomica Skrinjar, starting at the tail end of World War II in 1945.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.