Sound & Fury: Hamlet & Juliet(2013)
Now with the Great Taste of Pork! Bard Bill's great tale of cross-dressed lovers, with a dash of depressed Great Dane. An hour-long mashup of the two classic tragedies in Vaudeville style!
Movie: Sound & Fury: Hamlet & Juliet
Top 3 Billed Cast
Various
Various
Various

Sound & Fury: Hamlet & Juliet
HomePage
Overview
Now with the Great Taste of Pork! Bard Bill's great tale of cross-dressed lovers, with a dash of depressed Great Dane. An hour-long mashup of the two classic tragedies in Vaudeville style!
Release Date
2013-01-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EnglishKeywords
Similar Movies
Sound & Fury: Doc Faustus(en)
John Faustus, frontier doctor, sells his soul for power, riches, and free health-care! But will he be able to control himself before he changes the space-time continuum?
Sound & Fury: Spaceship Man(en)
Mars! Earth! Alien romance! Danger, songs & ray guns await Maj. Cyrus Fie of the United Spaceship Command! A parody of every sci-fi movie ever, and oddly, "Apocalypse Now!"
Sound & Fury: Dirty Fairy Tales(en)
Sound & Fury (Richard Maritzer, Patrick Hercamp, and Ryan Adam Wells) present three different classic Fairy Tales, including favorites like “The Emperor’s New Clothes,” “Rapunzel,” and “Jack & the Beanstalk” -- and then completely improvise a fourth Fairy Tale each night, based entirely on audience suggestions, to complete the evening.
Sound & Fury: Testaclese & Ye Sack of Rome!(en)
Sound & Fury's flagship show, has been performed over 2,000 times. It's a bawdy tale, of enormous proportions. If you know what we mean. See it and have a ball! Bad puns, adventure and a healthy dose of cross-dressing, as usual ensue.
Romeo & Julio(hr)
Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.
Falstaff(en)
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Chimes at Midnight(en)
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

Romeo and Juliet(en)
In this Broadway stage production, Orlando Bloom and Condola Rashad take on the title characters in a modern adaptation of the timeless classic, Romeo and Juliet.

Macbeth(it)
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.

Verdi Macbeth Chailly(it)
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.

Fanny and Alexander(sv)
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

The Last Lear(en)
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
PYRAMUS & THISBE(et)
In this modern adaptation of the classic Greek myth two young lovers bound by a tragic fate plot to escape their homes to start a new life somewhere far from their families.

Romeo and Juliet(en)
Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.
Cela s'appelle l'amour(fr)
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.

Shakespeare in Love(en)
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
Village People Radio Show(ms)
A portrait of village life in South Thailand, home of retired Malay-Muslim members of the communist party of neighboring Malaysia. Recollections of the decades-long guerrilla war are interspersed with a Thai radio soap opera.

Barriere(de)
Nine young actors leave behind their daily lives in Berlin and travel to the country to audition for a summer theatre production to be performed in the ruins of an old church. A once-renowned Swiss director is using this week of rehearsals to find the lead for this production of “Hamlet”. The director is staying privately at the home of an old woman, but the actors are being put up at a run-down hotel with very thin walls.

My Own Private Idaho(en)
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Throne of Blood(ja)
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.