The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.
Louis Katz
Richard Sterling
Francis Murray
The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.
1915-08-09
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Young and innocent maid Elina is persuaded into forgetting her childhood sweetheart Uolevi, and to marry Klaus Kurki, a local nobleman with money and influence. An ideal match according to her family and the greedy parish priest, but all is not as it seems: Kurki is a vicious man, tormented by the spirit of his last wife.
Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Markus Viitanen, a sculptor living in Suomenlinna, has not seen his son Eero for fifteen years. When he learns of Eero's death, he sets out to find out what kind of person Eero grew up to be during his nineteen years of life, and how the nanny Katri relates to the rest of Eero's life.
Like a ticking time-bomb, Ronnie tries to hold his personal relationships and artistic career together while struggling with a debilitating writers block. "A Beautiful Rush" is a silent film that explores what it means to be selfish and lose sight of the blessings life has graced us with.
In the center of the film is a powerful, peculiar, talented Russian man, the largest timber merchant Yegor Bulychyov. He is experiencing a tragic discord with himself, with the world that surrounds him, with great social injustice, to which his whole life has been given. The idea of the film is to determine the purpose and meaning of the existence of the human person, consider its polysyllabic and versatile connections with the world.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
A depiction of the conflict between King Henry VIII of England and his Lord Chancellor, Sir Thomas More, who refuses to swear the Oath of Supremacy declaring Henry Supreme Head of the Church in England.
Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.