CARNY is an intimate, gritty and poetic adventure following the lives of 'carnys' - traveling fairground workers whose experiences are outside the normalcy of most North Americans.
4.7Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
5.0Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.
0.0Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.
0.0Druids, Romans and Norman knights return to Richmond for the 600th anniversary of the Yorkshire town's charter.
7.7In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.
A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.
6.3In China’s popular live-streaming showrooms, three millennials – a karaoke singer, a migrant worker and a rags-to-riches comedian – seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives.
0.0After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
6.8A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.
0.0In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.
0.0A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
6.3Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.
5.0Few of us have stopped to consider the lives of the workers who manufacture the objects that make up our daily lives. We use these objects without knowing anything about the Foxconn plants in which they are made, or even where these factories are located, let alone who works in them. One such worker was the young Chinese poet Xu Lizhi, who, at the age of 24, jumped out of a building not far from where he worked at the Foxconn factory in Shenzhen.
A continuous, extreme show is held, every year, in Tesla Arena in Prague. The visitors can be impressed by shows of dangerous riding on motorcycles, amazing acrobatics on 4 wheel vehicles, etc…
7.8The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
0.0Every season, tens of thousands of migrant farmworkers converge on small communities like Immokalee, Florida where they plant and harvest the food that Americans consume. A vast majority of these workers are undocumented, leaving them at the mercy of the large agribusinesses who hire them, the crew leaders who contract them and the landlords and businesses that profit from the seasonal arrival of migrant workers. Their "undocumented" legal status allows for a system of exploitation that leaves workers and their families to endure conditions and wages that rarely meet international human rights standards. Immokalee U.S.A. documents these daily experiences, leading the viewer to examine their own role in the issues migrant workers face in the U.S.A.
0.0This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.
