Poets Against the Bomb(1981)

Dagerman(fr)

About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.

I Burned Legs(bs)

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.

White Light/Black Rain: The Destruction of Hiroshima and Nagasaki(en)

Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.

The Unconquered(pl)

The Institute of National Remembrance, Fish Ladder and Juice present “The Unconquered” – an animated film that shows the fight of Poles for freedom, from the first day of World War II to the fall of communism in 1989.

When Under Fire: Shoot Back!(en)

The Bang Bang Club were four fearless young photographers who set out to expose the reality of Apartheid in South Africa - a battle that changed a nation but wound up almost destroying them.

L'Arbre et le Soleil(fr)

This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).

A Passion for Churches(en)

Sir John Betjeman visits and explains the architecture of various churches in the Diocese of Norwich. Among those visited: Sandringham church on the Queen's private estate, the Holy House of Our Lady of Walsingham and Norwich Cathedral.

History is Marching(en)

History is Marching is a feature length documentary analysing the rise in tensions between major powers across the globe over the course of 2018. The film follows western history from 1945 to the present day, before looking at how capitalist society is today breaking down into the largest crisis in its history. Socialism or extinction?

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

A Fanatic Heart: Geldof On Yeats(en)

A biography of the poet W. B. Yeats and his contribution to the Irish independence movement as a Protestant nationalist.

Cseh Tamás énekel(hu)

Smoky little clubs, late nights, late nights of conversation over a glass of beer and a guitar. The lyricist Géza Bereményi and the composer-performer Tamás Cseh are the creators of the most topical and accurate songs of the 70s and 80s, expressing the mood of the "30s and 40s" of that time - a mood that was their own destiny. This stunning recording from 1980 includes songs like Tangó, Álomfejtés, Szabó Kálmán tegnap este..., A 100. éjszaka, A legjobb viccek, Születtem Magyarországon, A dédapa dala, Egy bogár, Krakkói vonat, Az ócska cipő, Filmdal.

The Earth Is Blue as an Orange(uk)

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

Richard Hugo: Kicking the Loose Gravel Home(en)

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

I Will Dance(en)

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Art as a Weapon(en)

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The Mother of All Hurricanes(en)

The Hurricane Maria represented a historic event for the island of Puerto Rico. The Puerto Rican spirit at the helm of this natural disaster was shattered beyond repair. And from the rumble the Puerto Rican spirit will be reborn again. Omar Iloy makes a desperate call to the wounded spirit of the island, a call for hope and help.

The Crying Fields(en)

A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.

But... Seriously(en)

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Do Útero Ao Túmulo(pt)

Angeli Distratti(it)

Fallujah, November 2004. While bombings and massacres with unconventional weapons follow one another in the city, an American soldier and an Iraqi woman meet in a strange room. The story told, based on episodes that really happened, is interspersed with repertoire material and interviews with Simona Torretta.