Simon Boccanegra - Teatro La Scala Milano(2010)

Il Trittico(en)

Teatro Alla Scala 1983 production of three one-act operas from Puccini.

La Cenerentola(en)

Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince. Director Michael Hampe envisions La Cenerentola less as a fairy tale and more as a gently satirical comment on the nature of society and the relationship between people. Conductor Riccardo Chailly's masterly display of the Rossini style is visually matched by the opulent and elegant set designs by Mauro Pagano. 162 minutes.

Amahl and the Night Visitors(en)

The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.

When the Fern Blooms(uk)

Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.

Don Carlo(it)

A 1985 performance of Luchino Visconti's 1958 staging for the Royal Opera House, Covent Garden. Bernard Haitink memorably directs a superb cast that includes Ileana Cotrubas at the height of her powers and Luis Lima, unequalled in his tortured introspection, in the title role. (5-act version, sung in Italian)

Bedřich Smetana: Braniboři v Čechách(cs)

Bedřich Smetana: Tajemství(cs)

Smetana's penultimate opera premiered on September 18, 1878, at the New Czech Theater. At the National Theater itself, it was staged in the 20th century, for example, from 1980 and 1983, respectively. The 2006 production in the second courtyard of the Litomyšl Castle, which was filmed by Czech Television, is characterized by a minimalist set with an imaginative neon silhouette of Bezděz Castle, as well as the fact that, with two exceptions, all the singers were performing their roles for the first time. Tenor Pavel Černoch, who at that time still had his international career ahead of him, excelled in the role of Vít... Since its creation, The Secret has been considered Smetana's most perfect and mature opera. Even the overture is a remarkably composed and superbly constructed masterpiece. After this successful premiere in Litomyšl, the performance became part of the repertoire of the National Theater.

Prodaná nevěsta(cs)

The most popular Czech comic opera, with a libretto by Karel Sabina, marking the 200th anniversary of the birth of Bedřich Smetana, in the current production of the National Theater in Prague. For more than 150 years, The Bartered Bride has dominated Czech opera. No one else, not even Smetana himself, has managed to surpass its popularity, which over the years has become part of our national DNA, so to speak. At the time of its creation in the 1860s, however, The Bartered Bride was actually quite a bold experiment – Bedřich Smetana and librettist Karel Sabina masterfully mocked all those who imagined "national opera" as an idyllic picture of the Czech countryside, where national virtues reign supreme.

The ROH Live: Carmen(en)

The young soldier Don José intends to marry Micaëla, a girl from his home village. But when he meets the sensual and high-spirited Carmen, he sacrifices everything to be with her. Carmen grows tired of Don José and falls in love with the toreador Escamillo. Unable to bear her leaving him, Don José tracks Carmen down to a bullring where Escamillo is fighting and murders her.

The ROH Live: Nabucco(en)

Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.

Der Freischütz(de)

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”

Oh, for a Man!(en)

Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.

The Five Moons of Lorca(es)

A short opera about the assassination of poet and dramatist Federico García Lorca at the hands of Nationalist forces at the beginning of the Spanish Civil War.

Lumee's Dream(en)

Lumee, one of the two main characters (of the opera p r i s m), sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.

Carmen(fr)

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Madame Butterfly(it)

Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.

The Zolle Suite(en)

A dead woman wanders through the shadowy space between memory and reality, tracing the lines of her identity through the land she once walked—an immigrant in death as in life.

The Fiery Angel(it)

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

Judith(hr)

Opera adaptation of Marko Marulić's epic poem "Judita" ("Judith"), composed by Frano Parać, with libretto by Frano Parać and Tonko Maroević. Premiered 14th July 2000 in HNK Split (Croatian National Theater Split).

William Tell(fr)

“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.