Oswald wakes up grumpy and takes it out on his alarm clock, afterward trying his best to wake up the mechanical cow sleeping in the bed beside him, with limited success. They finally do get going, sailing around the barnyard offering milk to denizens of the farm. When kidnappers arrive and takes Oswald's girlfriend away, he and the cow set off to rescue her.
Oswald wakes up grumpy and takes it out on his alarm clock, afterward trying his best to wake up the mechanical cow sleeping in the bed beside him, with limited success. They finally do get going, sailing around the barnyard offering milk to denizens of the farm. When kidnappers arrive and takes Oswald's girlfriend away, he and the cow set off to rescue her.
1927-10-03
5.5
Oswald the Rabbit enters an airplane race with a makeshift aircraft and ends up riding a dachshund lifted into the air by balloons. Meanwhile, his peg-legged rival tries to cheat his way to victory.
Set after the events of Continental Drift, Scrat's epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet. To save themselves from peril, Manny, Sid, Diego, and the rest of the herd leave their home and embark on a quest full of thrills and spills, highs and lows, laughter and adventure while traveling to exotic new lands and locations.
Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
“A montage of still and moving images, mixing and alternating black people and white people, fantasy and reality, a presidential suite and a mother’s kitchen: a sensitive, poetic evocation in the manner of the film-maker’s Remembrance. Brilliantly colored and nostalgic, it comprises a magical transformation of painterly collage and still photographic sensibility into filmic time and space.” - Charles Boultenhouse
During a routine pickup, an elderly Vietnamese cab driver is taken hostage by three recently escaped Orange County convicts. Based on a true story.
They build myths, light passions, and practically never speak. In this documentary they'll complete with their words, the iconographic world of one of the most legendary cinematographers of all times, Gabriel Figueroa. This film is an immersion into some of the most symbolic and iconic images from Mexican cinematography, along with the commentaries of the greatest directors of photography today.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Metwali, a simple chef, gets the chance to work at the presidential palace. The president starts referring to him to learn about the lives of his people, so he tells him all about the citizen's life from jokes to social and political conditions. which is seen as a threat by some people.
After losing her husband Julio and her daughter Casandra, Natalia develops an internal psychosis that leads her to create a fantasy world where her daughter is still alive. As reality sets in, Natalia faces shocking revelations that reveal her darkest desires.
Film composed of eight animated shorts starring agents Mortadelo (Mort) and Filemón (Phil): Information Agency; The Hong Kong Vase; Against the Pison; They Get on a Plane; More Than One Thief; Escaped from Prison; Genius or not, That's the Question.
Doo-yeong, the eldest son of the family is planning to go to the police force this time. However, after coming to Seoul from the province, going with his younger brother Doo-yeop to a cram school is not too smooth. His romance with Ji-yeong makes it also harder. Doo-yeong meets a lot of people and worries amidst his longing for success and love in Seoul.
The ostensibly calm and courteous Gerald Ballantyne lives in and embodies modern suburbia. But he is haunted by the memory of a recent car crash and hounded by his estranged wife and her demands for divorce. Slowly, a festering insanity takes over and unwilling to face the outside world he embarks on a lunatic experiment. Confining himself to his middle-class home, he eschews contact with others and survives entirely off 'food' which he can find in his house. Based on JG Ballard's The Enormous Space.
An unlucky Birthday boy must fight for his life against a masked psychopath.
The interior of a trolley car. A menagerie of passengers notices a foul odour, and pinpoint the source of the stench at a cheese saleswoman. The gendarmerie removes her from the trolley and drags her to the precinct.
To impress the girl he loves, a naive country boy tries to capture a group of local bootleggers.
A serving girl receives a telegram that she has come into an inheritance. The family she works for suddenly starts to treat her well, and several young men come to court her. Then she receives another telegram telling her the inheritances is only $25. All her new 'friends' desert her, except her poor boyfriend.
To the rhythm of a frenzied choreography, acrobatic matches come to life on a black background. Leaving their matchbox, they line the film in circular, concentric movements. In an almost aquatic momentum, the squadron of little bits of wood mould the contours of a character, a run-of-the-mill smoker, before transforming into a funny harness. The film ends when the matches, again transformed, take on the appearance of a distinguished man who, after several attempts, finally finds a way of lighting his cigarette.
Ham fears he has accidentally killed his landlady so he and Bud go on the run, disguised as a missionary and a cannibal.
Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman. Her fiancé finds not only Mabel, but also her mother, very displeased, and not inclined to believe his explanation.
Mabel, in the park with her mother, sees her boyfriend and asks him to join them.
A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.
A happy young couple become engaged, and soon afterwards they are married. But after their marriage, the husband begins to stay out carousing with his friends, leaving his wife at home with her mother. Then, when the three of them go to the opera together, the husband spots one of his friends in another box. Soon the domestic difficulties reach their peak.
When a woman's husband leaves town, she begins to see odd things happening in her house. Afraid that gangsters are after her, she becomes increasingly anxious.
Fatty is a farm hand at Mabel's father's place. He and Mabel love each other, but dad wants to marry Mabel off to the landowner's son in exchange for tearing up the mortgage. When Mabel and Fatty find out dad's plan, they elope, pursued by dad, the hopeful suitor, and the local constables.
A fortune teller tells a store clerk with a romantic disposition that she was a Spanish noblewoman in an earlier life. The girl begins to live the part of the Spanish noblewoman and romance and comedy ensue.
The film begins with a girl who is supposedly irresistible to all men. Several guys all come to her to pledge their undying love--including Harold Lloyd's brother, Gaylord (who is a dentist). Shortly after this, a new dentist (Snub Pollard) arrives to work in an office across the hall. In a very funny scene, Pollard manages to steal all of Gaylord's patients from his waiting room. However, when it comes to dental work, Snub is highly unlikely to receive the American Dental Association's seal of approval. That's because he's incredibly rough and manages to toss a guy out the window when he pulls his tooth.
Koko the Clown's little brother comes to visit and wreaks havoc in Max Fleischer's studio.
A mild-mannered man's problems with his domineering wife and mother-in-law lead to complications with the law.
Gregory La Cava directs this comedy of errors, starring W.C. Fields as a hen-pecked, inebriated inventor who triumphantly creates unbreakable windshield glass while struggling to gain the respect of his social-climbing daughter and nagging wife.
A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother"
A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.