Nathan Verhelst, a 44 year old man from Sint-Niklaas in Belgium, demands and receives euthanasia after several failed gender operations. Nathan was born as 'Nancy'. His backpack of life is filled with rejection and incest. Thinking of himself as a freak, he can't find peace as a woman nor as a man. Three doctors decide that his life quality issn't guaranteed anymore and give Nathan permission for euthanasia. After trying to convince him not to do it, his friends start to support him in his choice. Hoping he would feel loved again, and would find a reason to live. But Nathan doesn't change his mind. "I'm certain", he said, "for the full 300 procent". He went. Dancing. The lethal injection was given at the University Hospital in Brussels. Nathan suffered from unbearable psychic and physical pain.
Himself
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
A documentary film comprising of 26 interviews with students who are LGBTQIA+ and who go to L’Anse Creuse High School. The film is the first feature-length film by and about queer youth. The film was made to combat recent anti-trans laws.
A documentary film about 20 people who identify somewhere on the aro/ace spectrum, from Asexuality and Aromanticism to Aegosxuality and Cupioromanticsm, along with other featured identities. With additional personal anecdotes from the life of Maxwell Reh, the film’s director.
A documentary that explores the range of experiences lived by transgender Americans.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Over one thousand people have been charged with storming the United States Capitol on January 6, 2021, as part of a widely televised insurrection attempt. Approximately 15% of them worked as police or military personnel. This staggering statistic begs an important question: how can a service member who took an oath to protect the country’s democracy do something that puts that very democracy in jeopardy?
October 1, 1985. The chilling emptiness in Michele Avila's eyes. Her murder, a savage ballet of teenage fury, ripped through the town, festering wounds exposing the venomous underbelly of a seemingly innocent friendship. Jealousy, a serpent coiled in the heart of adolescence, struck with the force of a viper, revealing the terrifying depths of envy's reach. These weren't just girls; they were predators. Women are born with many layers, a mix between good and evil. Out of all the positive tropes that can validate the existence of women, why is it that "Born Sexy Yesterday" is a trope that resonates with our male counterparts the most?
A group of individuals who came out as LGBTQ+ later in life reflect on the emotional and often complicated paths that led them to finally embrace their true identities. After years of living in secrecy—some as long as decades—they share personal stories of internal conflict, family tension, and the courage it took to step into the light. From a nonagenarian to a former priest and a military veteran, each narrative reveals the unique challenges of coming out in midlife, while celebrating the profound freedom and self-acceptance that can emerge at any age.
The final case for American healthcare to be free and accessible to all—through a single-payer system. Using an all-star lineup of heavy-hitters in the healthcare movement, Healing US walks through all key points of the arguments in favor of a universal, single-payer healthcare system.
An exploration of the relationship between bodies, spaces and touch as a form of longing, Maja Classen’s latest documentary TRUTH OR DARE takes on an essayistic format inspired by the dramaturgy of a sex-positive party in Berlin and the COVID lockdowns of the past two years when the freedom of these spaces seemed possibly lost forever. The film’s protagonists – which include the Chilean queer sex worker Jorge and the genderqueer person Puck – are afforded the space to share their stories of loneliness, desires, sexuality, and identity and reveal how they have found a home and chosen family in Berlin’s queer, sex-positive community.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.