La Gioconda(1986)

The ROH Live: Otello(it)

On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.

House of Ga'a(en)

At the height of the Oyo Empire, the ferocious Bashorun Ga'a became more powerful than the kings he enthroned, only to be undone by his own blood.

The Return(en)

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

The Documentary(en)

D. stalks Sandra but she doesn't know it. She does think that D. is a documentary filmmaker having her be in film about conquering fear. Little does she know that D. is not who he claims to be, and far worse.

The Quiet Son(fr)

Pierre, a devoted father in his 50s, raises his two sons alone. When Louis, the youngest, leaves home to attend the Sorbonne in Paris, Fus, slightly older and not as successful academically, becomes more and more secretive. Driven by a fascination for violence, he gets entangled in far-right extremist groups, at the very opposite of his father’s values. Between them, there is love and hate, until tragedy happens.

A Man of Reason(ko)

After spending a decade in prison, a hitman learns that he has a daughter and just wants a chance at a normal life. But his former mob boss wants him back at any cost, sending merciless assassins after him.

way(en)

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Scooby-Doo! Ghastly Goals(en)

While on vacation in Brazil, Scooby-Doo and the gang encounter a mythical beast at a game of soccer.

Game Changers(fr)

Ten days into the competition, the International Games are a complete fiasco for the French delegation as they’ve consistently failed to win any gold medals. All hopes now rest on Paul, an outstanding shooting champion, though somewhat immature and not particularly clever. As the event draws near, he has to share his room with Jacob, a carefree swimmer from Vanuatu, who seems more focused on the village’s “extra-curricular activities” than on his own races.

Man(en)

Maggie and her sister form an unusual bond during an encounter with a young man.

As(en)

Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.

Bihter: A Forbidden Passion(tr)

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

A(en)

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

The Black Book(en)

After his son is wrongly accused of kidnapping, a deacon who has just lost his wife takes matters into his own hands and fights a crooked police gang to clear him.

Infiltration(ru)

Ivan sets off on a dangerous mission into Syria to save his ex-commander Grey after his capture by ISIS. With the help of U.S. military patrols, he succeeds in freeing Grey and attempts to escape the country while being hunted by terrorists.

My Avatar and Me(da)

is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.

The Adventures(th)

Joy, a secretary at a large multinational company, has an online shopping problem, likes to read adventure novels and watch travel and adventure shows. She daydreams about living a life of adventure.

The Park(en)

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

Mr. Majestyk(en)

A melon farmer battles organized crime and a hit man who wants to kill him.

Red(ja)

A married woman with a lovely daughter lives a carefree life, until she meets her ex-lover at a friend’s wedding. They haven’t seen each other in ten years, but they begin an affair.

Royal Opera House: Andrea Chénier(en)

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

The Metropolitan Opera: Aida(en)

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.

Tchaikovsky: Iolanta / Bartók: Bluebeard's Castle(ru)

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

Die Walküre(de)

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

Siegfried(de)

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

The Metropolitan Opera: Don Giovanni(en)

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

The Newspaper(it)

The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.

Der Rosenkavalier(de)

The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.

Die Walküre(de)

Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.

Il Barbiere di Siviglia(it)

Salome(de)

Richard Strauss's opera, from the Royal Opera House, Covent Garden.

Don Giovanni(it)

Live performance at the Metropolitan Opera in 2000.

Les Contes d'Hoffmann(fr)

Live performance from the Opéra National de Paris, 2003.

Bluebeard(fr)

When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.

Aida - San Francisco Opera(it)

An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.

The Metropolitan Opera: Il Barbiere di Siviglia(en)

Mezzo-soprano Aigul Akhmetshina headlines a winning ensemble as the feisty heroine, Rosina, alongside high-flying tenor Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Baritone Andrey Zhilikhovsky stars as Figaro, the titular barber of Seville, with bass-baritone Peter Kálmán as Dr. Bartolo and bass Alexander Vinogradov as Don Basilio rounding out the principal cast.

Tchaikovsky: Eugene Onegin(ru)

The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.

A Midsummer Night's Dream(en)

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.

Barbra: The Music ... The Mem'ries ... The Magic!(en)

Iconic songstress Barbra Streisand culminates her 13-city tour in Miami with dazzling ballads, Broadway standards and stories from behind the scenes.

Tosca(fr)

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.