Dubbed "the most viewed epic movie about Ghent ever", this documentary/movie showcases the city of Gent, Belgium.
After Nola Chérie and Indiamore, Chassol presents BIG SUN, last part of the trilogy. Big Sun, Christophe Chassol’s brilliantly-dazzling fourth album, crowns his trilogy of ultrascores (a method he elaborated for harmonizing, symphonizing real life, the ‘here and now’), which started out in Creole-speaking New Orleans (Nola Chérie, 2011) before pursuing its route through India (Indiamore, 2013).
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
A group of talented youth exploited by the head of a gang in his suspicious work while a dance coach tries to make a band of them.
Look into the glamorous and tumultuous life of pop sensation Britney Spears. From her incredible skyrocketing ascent into stardom to her personal troubles and downfalls, see the inside of the star's life with exclusive interviews.
August 1936. After being separated from her family by the Falangists, Concha Monrás spends her last days in a prison cell. With her young cellmate Adela, she reconstructs her relationship with Ramón Acín and remembers his life as an artist, a pedagogue and a man.
The Walter Mitty-esque tale of a Brooklyn dental hygienist who escapes into a painting by 17th-century Dutch master Peter de Hooc. The film was nominated for an Oscar for Best Live Action Short Film.
Schoolteacher Spiridon and his pretty wife Despine are taking a room in a small inn. Tariel Mklavadze, a local nobleman and debauchee falls for a beauty of Despine. He and his friends terrify young couple trying to get Despine.
Documentary about making of "Three Tears in Borneo".
While looking for a thousand year egg in a Japanese contest, Blue Racer stumbles upon a dragon who hatches in one of it, and the dragon thinks he is his mother. After many misfortunes raising him, Blue Racer sends the dragon to Tokyo to become a movie star. In the end, Blue Racer reads in a newspaper that the dragon did became an actor.
Two dogs, Polkan and Shavka, watched a flock of sheep by the river. Suddenly, they notice a hare, chase after him and run into the forest, where they meet face-to-face with three wolves. Shavka, chickening out, backs away, and the brave Polkan takes the fight. In a fierce fight, he manages to defeat one wolf, but from wounds he loses consciousness.
Learning that island of Delos has been taken over by Neuroi, Charlotte E. Yeager and Francesca Lucchini are teamed up with Hanna-Justina Marseille and her partner Raisa Pöttgen to draw out the Neuroi hiding within it. Francesca, who has strong family ties with Delos, objects to their superior's plan to destroy the island, so they work out a new plan to have Hanna and Raisa draw out the Neuroi while Charlotte and Francesca drop bombs on it. When this plan ends up failing, Francesca tries to attack on but is inevitably forced to retreat. The next day, before the bombardment on the island is due to take place, Charlotte, unwilling to let Francesca down, decides to make use of an abandoned ship's winch to pull the Neuroi out of its hiding place, allowing it to be destroyed without any damage to the island. Afterwards, Francesca takes Charlotte and the others on a tour of Delos and its artifacts. (Source: Wikipedia)
Terray. This name sounds like a challenge and evokes deep respect in the memory of every mountaineer. For all, Lionel Terray remains forever the "Conqueror of the useless", the example of a generous and mature mountaineer, far from any egocentrism and any ambition. Not only a pioneer and witness to the history of mountaineering, Terray is also remembered as a man and a master more than an athlete. Forty years after the tragic death of this extraordinary mountaineer and guide, who liked to think of himself as a "simple mountaineer", his former friends and the youngest generation of mountaineers come together in this film to celebrate and remember his legacy.
Maria is having great difficulty getting on with her parents because of their blind, consumerist approach to life. Traumatized by continuous family dramas, having experienced the disappointments of firs love, Maria decides to go up the mountain to a holiday home. There she meets a conceited architect, a shy teacher, a jurist, and a timid journalist (all of them representatives of the intelligentsia) who are domineered by the manager of the holiday home and his 'problems'. Maria's resignation changes into a rebellion against impersonal submission and sheep-like compliance with those who hold power.
During his night shift at the theater, Marko imagines himself to be a director and rehearses with actors. However, he is interrupted by the vision of his dead brother, Milan. Milan accuses Marko of leaving him and his mother. Marko tries to deal with his guilty conscience.
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.
Summer 2021, in Damascus city, some young emerging directors roamed the city's streets to follow their dreams and shoot their first movies with the simplest available tools. so, the city would open her arms and hug them day and night with her streets and neighborhoods.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
Stuttgart in the mid-1930s: What did it look like in the past, what does it look like now and what will await the city in the future?
2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.
About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.
A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.
A collaboration between Jem Cohen with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been. En route from the airport to the city center, we found ourselves amazed by the landscape outside of the car windows; a massive construction project under way in all directions. While not in itself unusual, we were by struck dumb by the epic scale and seemingly incomprehensible plan of the development and were drawn to return together to this puzzling zone. This project was commissioned by TAMAAS, a small foundation based in Paris, as part of their Tangier project, The 8.
What happens when we meet in the street? Suddenly, mistakenly, intimately. Estranged, rushed, too much, too little, too late. Smiles, small talk, and promises.
At the end of the 80's, the city of Itacuruba, in the backlands of Pernambuco, was transferred to another locality due to the construction of a hydroelectric plant. In the new region, the city began to register many suicides, reaching a rate ten times greater than the national average. Through memories of the lost city, villagers reveal that the root of a people is like the root of a tree: essential to life.