
Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.


Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.
2007-10-26
6.5
Manoel de Oliveira and João Bénard da Costa in a conversation filmed by Rita Azevedo Gomes
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
6.5Two madmen wish to avenge the historical Peruvian ship "Monitor Huascar" under the command of Capitain Grau: a hero, and a symbol of the 19th century war lost to Chile.
7.0At fifteen, David and his two buddies are the youngest members of the Boston Aquarium Society. The three make their way to a monthly meeting at the New England Aquarium, but David has a secret he is reluctant to share.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
5.0Anna is a woman who sells flowers at the local market and whose only hope and joy in her life is her only son Amaurys. Raul, Amaurys' best friend, involves him in a drug deal which results in his death.
6.2On December 8, 1995, at the age of 43, Jean-Dominque Bauby, editor-in-chief of ELLE Magazine, suffered from a stroke and fell into a coma. When Bauby awoke he found himself completely speechless and paralyzed. In Locked-In Syndrome, director Jean-Jacques Beiniex follows Bauby's efforts to write The Diving Bell and the Butterfly, which was later adapted into a critically acclaimed film.
5.0On the highways of the Ruhr region, the paths of four people cross as they try to fulfill their long-lost dreams. One of them is Georg, the coach of a Bundesliga soccer team that has to win that evening's cup match if he wants to keep his job. He is about to be sacked and realizes that the business and its mechanisms are beginning to turn against him. Dieter, the roving TV reporter, is on the hunt for spectacular pictures day and night. Although he loves his son, who lives with his ex-wife Rita, he takes too little care of him.
7.0Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!
5.0The thrilling story of a lonely Russian immigrant trying to find the "American dream" in present day Los Angeles. To provide care for his dying sister he works as an assistant to a mysterious and dangerous man, but his desire to achieve something more takes him down a dark and risky path. When a seductive call girl enters his life his world is thrown upside down and the choices he makes may have deadly consequences.
5.3An MI5 officer's attempts to foil a possible terrorist plot are undermined by bureaucracy and moral dilemmas. Will he make the world a safer place or be complicit in making a tense situation even worse?
4.8The romantic comedy and drama follows the manga of the same name and follows the adventures of cute and coquettish schoolgirl Shirabaka Aya and nerd of a man Tairaku Arihiko. There is a problem or two. Aya loves Arihiko. Arihiko is a school teacher. Aya is a student at the school. Aya's father is a yakuza thug. Aya and Arihiko live in the same apartment. Aya is hot. Arihiko could lose his job.
2.2Carl, a low-end hustler and pimp, uses his girlfriend to start his own prostitution ring. Trouble begins when Carl recruits Sherrie, a local waitress who likes sex. A cheesy narrator relates this morality tale.
This video features Faith Evans and Kelly Price. The amazing Whitney Houston is shown in full diva mode throughout the video, wearing a giant white fur coat, ruby red gown and a signature choker. At the end of the video, she throws the all-white fur coat into the ocean.
9.0Set in a decayed urban core, Robota, a homeless robot, wins enough money at the robot cockfighting arena to afford a trip downtown to fulfill her dream.
3.0Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.
0.0Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.
7.0I left Lebanon in 2006. For the past 10 years I lived in 7 countries, 10 cities, and 21 homes. I slept in 21 beds, cooked in 21 kitchens, cleaned 21 bathrooms, stared at 21 windows, wrote on 21 desks, and locked 21 doors behind me. I packed all of my life into two suitcases and a backpack. The rest stayed behind. Somebody somewhere uses my bed, somebody somewhere has my shoes. I was there. But now I am here.
7.2The Beastie Boys are among the most influential groups of the last two decades. As their music has opened hip-hop to a wider audience and changed the parameters of its sound, their ambitious music videos have carried the medium to new levels of artistic expression. This groundbreaking two-disc anthology showcases eighteen videos containing alternate visual angles and multiple audio tracks. Loaded with never-before-seen footage and unreleased music tracks, this special edition also contains a trove of rare still photos and exclusive audio commentary by the band and the video directors.
5.6Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.
6.6Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
6.9Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
When terrorists shattered their lives, two women set off on an extraordinary journey to rebuild themselves and the lives of women half a world away.
7.2This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.
6.3Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
0.0This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.
4.8GENTLY DOWN THE STREAM is constructed from fourteen dreams taken from eight years' worth of my journals. The text is scratched directly on to the film so that you hear your own voice as you read. The accompanying images of women, water, animals and saints were chosen for their indirect but potent correspondence to the text.
0.0This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.
1.0The Great Road (1927) is a Soviet silent documentary directed by Esfir Shub. Serving as the second part of her trilogy on Russian history—between The Fall of the Romanov Dynasty (1927) and Lev Tolstoy and the Russia of Nicolai II (1928)—the film chronicles the revolutionary path of the Soviet Union, assembling archival footage to depict the struggle, transformation, and aspirations of the early Soviet state.
8.0A 3-part documentary granting a unique and privileged access into the magical world of whales and dolphins, uncovering the secrets of their intimate lives as never before. Episode 1: Giant Lives / Episode 2: Deep Thinkers / Episode 3: Voices of the Sea
7.1Activist-pranksters Andy Bichlbaum and Mike Bonnano pull the rug out from under mega-corporations, government officials and a complacent media in a series of outrageous stunts designed to draw awareness to the issue of climate change.
0.0Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The effect of the changing economy and politics on the city and its inhabitants is echoed through their physical relocation to its outer edges. In 1990, squatters proclaim a socialist republic on the death strip. Eight years later, the new headquarters of Mercedes Benz are built in the same location. The film makes use of slow super-impositions to uncover a journey across changing architectural and cultural boundaries. "The Empty Centre" tries to give a voice and a history to those who continue to be marginalised by the simultaneous dismantling and reconstruction of the borders which they are trying to cross.
7.6Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
6.3A daughter's search for her lost family stretches from Australia to Trinidad and WWII Germany. Rich with archival images, Su Goldfish's autobiographical documentary echoes through all those touched by forced migration.