L'homme Panache
2005-01-01
0
Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.
A city teen travels to Montana to go hunting with his estranged father, only for the strained trip to become a battle for survival when they encounter a grizzly bear.
Goofy (front) and Donald (rear) are dressed in a moose suit, trying to lure moose for hunter Mickey. When they do find one, it turns out to be more than they can handle.
Donald is inspired by the spirit of his forefathers to take up a gun and go hunting for his food.
A big-game hunter travels to Malaya to help stop the Nazis and Japanese from destroying the rubber industry.
When two moose find tracking collars on their necks, they think they are dog collars and try to find an owner.
Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!
When the hunter arrives for this year's moose hunt, a young woman who is new to the hunting team is introduced. He watches her during the hunt and then he steps into action.
"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
Shot in 1908, the film shows a half-fictionalized hunting expedition in Uganda.
A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.