"Tourou et Bitti", an eight minute documentary concerning a ritual in Niger, is yet another example of Rouch's excellence in creating documentaries which surpass the conventional documentary format. Just as frightening and fascinating as "Les maîtres fous", this one goes straight into the roots of ancient African cultures, in which music has an hypnotic effect, being at the same time an exorcism and a public show. Both the female and the male dancers are almost deities about to be unleashed... Spectral and humanitarian.
"Tourou et Bitti", an eight minute documentary concerning a ritual in Niger, is yet another example of Rouch's excellence in creating documentaries which surpass the conventional documentary format. Just as frightening and fascinating as "Les maîtres fous", this one goes straight into the roots of ancient African cultures, in which music has an hypnotic effect, being at the same time an exorcism and a public show. Both the female and the male dancers are almost deities about to be unleashed... Spectral and humanitarian.
1971-01-01
5.8
This wacky prequel to the 1994 blockbuster goes back to the lame-brained Harry and Lloyd's days as classmates at a Rhode Island high school, where the unprincipled principal puts the pair in remedial courses as part of a scheme to fleece the school.
Ducobu goes on holiday in the south of France.
Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!
The famous Italian football coach Oronzo Canà has retired to a villa in Apulia. Now, old and tired, he is enjoying a quiet life there, cultivating his vineyard, when suddenly he is summoned to Milan, in northern Italy. There the elderly chairman of a great Lombard ("Longobarda") club is suffering from dementia and has lost his powers of judgement, and the club's manager has been fired. He has decided to bring back Oronzo Canà as trainer, remembering him from his great football team of thirty years before, tasking him with bringing the club back to its old winning ways. Oronzo puts his trust in the intervention of a Russian billionaire who has bought the club for promotion. But it is a deception.
When a warlock threatens Wendy the Good Little Witch, she and her aunts hide out at a resort where Casper the Ghost is vacationing with his uncles. Although Casper and Wendy are told ghosts and witches don't get along, the two are kindred spirits! This spooky family-friendly adventure finds Casper and Wendy bridging the ghost-witch divide to battle the warlock who is intent on destroying Wendy.
A young cat named Oliver is left alone in a kitten box, while all the other young cats have new owners. A big dog named Dodger shows him how to get food and later Oliver lives with him, his owner Fagin and Fagin's other dogs Tito, Rita, Einstein, and Francis. Fagin has one problem besides being broke he owes a nasty man named Sykes a lot of money. If he can't pay it back he's in big trouble. While Oliver runs into a little girl named Jenny who becomes his new owner which he is happy with and later Sykes sees Jenny as the key for him to get his money.
An aspiring singer from southern Italy who's just been dumped moves north to Milan, where he falls in love and enters a TV singing competition show.
Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Jennifer (Alicia Silverstone) is a lovely teen who has been hired to baby-sit the kids of Harry Tucker (J.T. Walsh) and his wife, Dolly (Lee Garlington). The Tuckers go to a party and proceed to get inebriated, with Mr. Tucker fantasizing about his beautiful baby sitter. Meanwhile, Jack (Jeremy London), her boyfriend, and Mark (Nicky Katt), another guy interested in her, decide to spy on Jennifer at the Tucker house, with each young man also fixated on her.
A decade has passed in the small town where the original Sandlot gang banded together during the summer of ’62 to play baseball and battle the Beast. Now, back at the dugout, nine new kids descend on the diamond only to discover that a descendant of the Beast lives in Mr. Mertle’s backyard – a monster of mythical proportions known as 'The Great Fear'.
The royal couple Odette and Derek face yet another evil magician, this time a woman named Zelda. Lusting for the treasure of the Forbidden Arts, which will give her absolute power, Zelda kidnaps Odette as ransom. Derek and several animal friends head off to rescue Odette
Recruited by the U.S. government to be a special agent, nerdy teenager Cody Banks must get closer to cute classmate Natalie in order to learn about an evil plan hatched by her father. But despite the agent persona, Cody struggles with teen angst.
After a talent scout spots her performing with her dog Boi at a charity gala, Sharpay Evans sets off for the bright lights of NYC, convinced instant fame and fortune are in the bag. But theatre's a dog-eat-dog world. Fortunately, Sharpay also meets Peyton, a handsome student filmmaker who finds Sharpay nearly as fascinating as she finds herself.
When the bumbling Lieutenant Frank Drebin investigates events following the shooting of his partner, he stumbles upon an attempt to assassinate Queen Elizabeth II.
A stunt pilot comes across a prototype jetpack that gives him the ability to fly. However, evil forces of the world also want this jetpack at any cost.
Batman learns he has a violent, unruly pre-teen son, secretly raised by the terrorist group known as The League of Assassins.
When Papi, Chloe, the pups, Uncle Pedro, and their owners move to a hotel, the smallest pup Rosa feels like she doesn't fit in, and Papi wants to make her feel better by showing her how special she is.
The Angels are charged with finding a pair of missing rings that are encoded with the personal information of members of the Witness Protection Program. As informants are killed, the ladies target a rogue agent who might be responsible.
After discovering her boyfriend is married, Carly soon meets the wife he's been cheating on. And when yet another affair is discovered, all three women team up to plot mutual revenge on the three-timing SOB.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
A mockumentary detailing the history of the Swedish rock band Ghost.
Habana Shakes takes us on a rhythm-filled odyssey spanning ten vibrant days in Havana, a pulsating island city teetering on the edge of transformation. Infused with a lyrical heart, this is not just an homage to Cuba's spirited culture but also provides an intimate window into the dynamic worlds of Cuban youth. Through the eyes of a skater, a tattoo artist, an actor, a ballerina and an electronica DJ, we find ourselves asking: What aspirations do these young Cubans hold for their nation and future, and how might these differ from or echo the dreams and hopes of their parent’s generation?
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.
The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.
A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.
A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
Lightning struck the hut of a Fulani shepherd near a village of settled fishermen, Ganghel, in Niger. A yenendi, a purification ceremony to obtain "water from the sky but not fire from the sky", is organized, with Sorko priests, ritual musicians and dancers, and the faithful from Niamey. The musicians call on Dongo, god of storms, and his brother Kirey, god of lightning. To the rhythm of the orchestra, a man goes into a trance, becoming Dongo's horse and at the same time the riding genie. Then a woman is possessed by Kirey. When the riding gods have mastered their horses, the gods visit the men. Dongo purifies the lightning-struck land and the oldest fisherman prepares the purification vessel, addressing Dongo.
A portrait of Zomo, the second of Damouré Zika’s many children. Employed at the zoo of the National Museum of Niger in Niamey, he offers us a tour, showing us the animals he takes care of. Then, when the work is finished, he invites us to an impromptu concert by “Jeunesse Gawey,” the “popular music” orchestra he forms with his brothers and sisters, who sing and dance for us pretty songs about their lives, their family, and Nigerien youth.
Stepping is a dance form that can be found across the country at virtually every college with a substantial African American enrollment. Stepping is performed informally during parties as well as more formally during organized step shows. This film explores this tradition, its historical roots as well as its contemporary forms, styles and uses, to understand how students construct various levels of identity through this dance form…African American identity, fraternity or sorority identity, gendered identity and personal identity. The film goes behind the scenes with the Alpha Phi Alphas as they prepare for a step show that is only a few hours away. Cutting between this show and interviews with current and past steppers as well as footage from previous shows, the film provides a broad picture of this vibrant and dynamic dance form.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.
Sharing is a documentary that will show the process of building a video dance performed by four female artists who have a connection not only with blood, but also with dance.
A short documentary following Paulette Harwood, a 90-year-old former Radio City Music Hall Corps de Ballet soloist, as she teaches the final classes in a school she's run for sixty years.
In Jacob Sutton’s film “Ascension”, two young dancers soar up from the darkness beneath the stage at Bastille to the sumptuous Grand Foyer and eventually to the rooftop of the Palais Garnier, where they experience moments of heavenly, dreamlike luminosity.
Sacred explores cultural and religious ritual as it relates to life’s cycles: birth, adolescence, marriage, aging and other key passages of life.