Movie: Scanning of Modulations
Similar Movies

La Maison en Petits Cubes(ja)
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go(en)
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Beatles Electroniques(en)
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Head Rag Hop(en)
A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
Theodore of the Absurd(en)
A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.

Impressions from the Upper Atmosphere(es)
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

Moonwalker(en)
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

The Bomb(en)
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
The Adventures of *(en)
Life drums the playfulness out of a boy as he grows up.

Clipping: Splendor & Misery(en)
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”

Superstar: The Karen Carpenter Story(en)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Piccolo(sh)
Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.

The Astronaut(en)
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Calypso(en)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
What You Mean We?(en)
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.

60 Seconds of Solitude in Year Zero(en)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.