Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
A director faces creative block while working on his latest film – a reimagination of his adolescence growing up in a mountain village in rural Japan.
The Sixth "Afrikaans is Groot" concert. It is an annual concert where some of the biggest Afrikaans artist perform
Film Title Poem is comprised of over 500 film title cards.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
Born in the USSR:14 Up follows the lives of people who grew up in the Soviet Union. They give an insight into Russian life.
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
In a city on Spain’s Costa Brava, Clara Valverde, a young beautiful woman, lives with her husband Juan. Juan is an architect and has planned a daring urbanistic project. In reality, the project is not viable. Clara, to keep her marriage and finances a float, works as a porno actress in an underground film industry. In spite of her job and her marriage, Clara is still a virgin. Her marriage has never been consummated because her husband is impotent for which she blames herself. In her work she does not allow to be penetrated. One day she goes to a reunion with Kellerman, an American millionaire who seems to be interested into put into fruition Juan’s project. However soon Clara learns that what he really wants is to blackmail her. The owner of the house, Jorge, finds out Claras’s real occupation and if she does not have sex to the American would tell everything to her husband.
The 1981 Cornhill Insurance Test Series. The action at Headingley as Botham set the Ashes alight with one of the most memorable innings of modern times. When defeat seemed inevitable in the Third Test, Botham's determination at the crease rallied the crowd, giving England the enthusiam to turn the match around and go on to win the coveted Ashes.
A documentary about the life of E Street Band member Clarence Clemons
Aimee Mathias climbs the highest peak in south wales 23 times in the month she turns 23 to raise money for charity while also wearing a different hat on the way up and on the way down adding up to a total of 46 hats.
A prep school for the junior elite has trouble accommodating it's unconventional student, George Goosey Jr.
In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.
The Wieland and Aschenbach families urgently need daycare places. Fortunately, the director of the municipal daycare center, Johannes Herder, is moving in right next door to them. However, there is only one free daycare place left. That's why every family is now trying to impress Herder. He uses the parents' eagerness to his advantage until the situation gets out of hand just before Christmas.
Lady Karate focuses on Yoshiko's mission to persuade China's la emperor, Puyi to leave his comfortable existence in Tientsin and journey back to Manchuria to be the figurehead ruler of Manchukuo under the direction of the Japanese occupiers. She has ten days to finish the job or she'll be obligated to commit hara-kiri at the end of it. She also has enemies among the Japanese military who want to maintain control over Pu Yi themselves.
This production of Ostrava TV Studios was inspired by actual events which occurred in the Ostrava region of Moravia during the 1920s and 1930s. A hedonistic bon vivant of a lawyer named Zajícek (played by Václav Postránecký) came up with a sophisticated finance speculation scheme which exceeded the bounds of law. When discovered it became one of the most closely-followed First Republic scandals.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.